A recent study released by the U.K.-based Black Footballers Partnership (BFP) reveals a significant racial disparity in the progression of Black former soccer players into managerial roles within English football. According to the report, non-Black ex-players were found to be 50% more likely to advance into management positions compared to their Black peers. The comprehensive research undertaken by the BFP, which includes prominent Black former footballers such as Sol Campbell, Les Ferdinand, Chris Ramsey, Paul Davis, and Ricky Hill, sheds light on the systemic barriers faced by Black individuals in coaching positions. The report also indicates a higher likelihood, by 41%, for Black managers or assistants to be dismissed from their roles. In a powerful foreword penned by the group, the disparity is highlighted as not only a failure to Black players but also to the sport itself, which benefits from their contributions on the field. The group advocates for equal opportunities off the field, reflecting the inclusivity football embodies as a sport. Currently, Vincent Kompany of Burnley and Nuno Espirito Santo, recently appointed by Nottingham Forest, stand as rare examples of Black managers in the Premier League. This is stark against the backdrop of a league where 43% of players are Black, yet only 4.4% of former players in managerial roles share the same heritage, as per the BFP's 2022 findings. The study, conducted by academics Sam Hoey from the University of Liverpool, Thomas Peeters from Erasmus University Rotterdam, and Stefan Szymanski from the University of Michigan, analyzed the careers of approximately 3,500 players from the top two English divisions between 1990 and 2010, who retired by 2013 or earlier. The findings underscore a pattern where Black managerial staff not only receive fewer opportunities but also face slower promotions, early career stagnations, and quicker terminations, independent of their performance metrics. Delroy Corinaldi, the executive director of BFL, metaphorically described the career trajectory for Black former players in football management as "all snakes and no ladders," emphasizing the challenges backed by empirical data. The report from the BFP calls for urgent attention to these systemic issues, advocating for a more equitable and inclusive approach to leadership opportunities within the sport. Continue Reading Full Article By Author Name Author Name Home Comment Mar 19, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: In the realm of English football, Black coaches encounter persistent discrimination. Despite their talent and contributions, they face institutionally embedded barriers that hinder their progress. @kstp A recent study released by the U.K.-based Black Footballers Partnership (BFP) reveals a significant racial disparity in the progression of Black former soccer players into managerial roles within English football. According to the report, non-Black ex-players were found to be 50% more likely to advance into management positions compared to their Black peers. The comprehensive research undertaken by the BFP, which includes prominent Black former footballers such as Sol Campbell, Les Ferdinand, Chris Ramsey, Paul Davis, and Ricky Hill, sheds light on the systemic barriers faced by Black individuals in coaching positions. The report also indicates a higher likelihood, by 41%, for Black managers or assistants to be dismissed from their roles. ADVERTISEMENT In a powerful foreword penned by the group, the disparity is highlighted as not only a failure to Black players but also to the sport itself, which benefits from their contributions on the field. The group advocates for equal opportunities off the field, reflecting the inclusivity football embodies as a sport. Currently, Vincent Kompany of Burnley and Nuno Espirito Santo, recently appointed by Nottingham Forest, stand as rare examples of Black managers in the Premier League. This is stark against the backdrop of a league where 43% of players are Black, yet only 4.4% of former players in managerial roles share the same heritage, as per the BFP's 2022 findings. The study, conducted by academics Sam Hoey from the University of Liverpool, Thomas Peeters from Erasmus University Rotterdam, and Stefan Szymanski from the University of Michigan, analyzed the careers of approximately 3,500 players from the top two English divisions between 1990 and 2010, who retired by 2013 or earlier. The findings underscore a pattern where Black managerial staff not only receive fewer opportunities but also face slower promotions, early career stagnations, and quicker terminations, independent of their performance metrics. ADVERTISEMENT Delroy Corinaldi, the executive director of BFL, metaphorically described the career trajectory for Black former players in football management as "all snakes and no ladders," emphasizing the challenges backed by empirical data. The report from the BFP calls for urgent attention to these systemic issues, advocating for a more equitable and inclusive approach to leadership opportunities within the sport. 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Discover the Himba people of Namibia, their culture, traditions, beliefs, cattle-based lifestyle, sacred fire, and modern challenges. The Himba, also called the OvaHimba, are one of the best-known pastoralist communities in southern Africa. They live mainly in north-western Namibia, especially in the Kunene Region, and also across the Kunene River in southern Angola. Many people recognize the Himba because of the red ochre paste used on skin and hair, especially by women. But Himba culture is much deeper than appearance. It includes cattle herding, strong family networks, ancestor-focused beliefs, seasonal movement, traditional leadership, and a changing modern life. Quick Facts Name: Himba / OvaHimba
 Singular: OmuHimba
 Main location: Kunene Region, north-western Namibia, and southern Angola
 Language: OtjiHimba, a variety of OtjiHerero
 Lifestyle: Semi-nomadic pastoralism
Main animals: Cattle, goats, and sheep
Known for: Otjize red ochre paste, cattle culture, sacred fire, strong kinship systems
Population: Estimates vary, and reliable current figures are limited Who Are the Himba People? The Himba are a Herero-related people who speak a Bantu language. They are often described as semi-nomadic pastoralists because livestock is central to their way of life.Many Himba families live in homesteads made up of extended family members. These homesteads are connected to cattle, goats, sheep, family authority, and religious life. During dry seasons, some family members may move with animals to find water and grazing land. Continue Reading Full Article AFRICAN CULTURE Who Are the Himba tribe? Culture, Traditions and Life in Namibia By Neema Asha Mwakalinga Travel & Culture Expert Neema Asha Mwakalinga Home Comment Jun 11, 2026 Jun 11, 2026 8 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: The Himba, also called the OvaHimba, are one of the best-known pastoralist communities in southern Africa. They live mainly in north-western Namibia, especially in the Kunene Region, and also across the Kunene River in southern Angola. Many people recognize the Himba because of the red ochre paste used on skin and hair, especially by women. But Himba culture is much deeper than appearance. It includes cattle herding, strong family networks, ancestor-focused beliefs, seasonal movement, traditional leadership, and a changing modern life. Quick Facts Name: Himba / OvaHimba
 Singular: OmuHimba
 Main location: Kunene Region, north-western Namibia, and southern Angola
 Language: OtjiHimba, a variety of OtjiHerero
 Lifestyle: Semi-nomadic pastoralism
Main animals: Cattle, goats, and sheep
Known for: Otjize red ochre paste, cattle culture, sacred fire, strong kinship systems
Population: Estimates vary, and reliable current figures are limited Who Are the Himba People? The Himba are a Herero-related people who speak a Bantu language. They are often described as semi-nomadic pastoralists because livestock is central to their way of life.Many Himba families live in homesteads made up of extended family members. These homesteads are connected to cattle, goats, sheep, family authority, and religious life. During dry seasons, some family members may move with animals to find water and grazing land. The Himba should not be described as people “stuck in the past.” Their culture is living, changing, and adapting to drought, schooling, religion, tourism, land pressure, and modern government systems. Clothing and Appearance Himba women wear traditional garments, jewelry, and distinctive hairstyles that reflect age, status, and cultural identity. Himba clothing and adornment are among the most visible parts of their culture. Women are especially known for using otjize, a red paste made from ochre and butterfat, sometimes mixed with aromatic resin.Otjize is used for beauty, skin care, and protection from the harsh climate. It also gives Himba women’s skin and hair a red tone that has become strongly associated with Himba identity.Hairstyles and jewelry can show age, gender, marital status, and social position. These styles should not be treated as simple decoration. They are part of a wider cultural language. Religion and Beliefs Himba religious life includes belief in Mukuru, often described as a creator or high god. Ancestors are also very important. ADVERTISEMENT One central feature is the okuruwo, or sacred fire. The sacred fire connects the living family with the ancestors. It is usually located within the homestead and cared for by a fire keeper. Through the sacred fire, families maintain spiritual relationships with those who came before them. This makes religion closely tied to family, land, cattle, and memory. Marriage and Family Traditions Marriage among the Himba is complex and varies by context. First marriages are often arranged by families. Later marriages may involve more personal choice, including love matches. Polygyny is documented in Himba society, meaning that a man may have more than one wife. Each wife may have her own hut within the homestead. Some sources also report child betrothal or early arranged marriage. This is a sensitive topic and should be written about carefully. Evidence from academic sources says that while young girls may be betrothed, marriage is not supposed to be consummated before puberty. Women may have more autonomy than outsiders sometimes assume, especially in matters such as divorce and later partner choice. This is why simple claims like “Himba women have no choice” are too broad. Food and Cuisine Himba food is strongly connected to livestock. Milk and sour milk are important foods. Meat may also be eaten, though livestock are not slaughtered casually because animals represent wealth and security. Common foods include: • Sour milk • Maize porridge • Millet or sorghum-based foods where available • Meat on certain occasions • Eggs • Wild herbs • Honey and gathered foods when available ADVERTISEMENT Food habits can change with drought, poverty, markets, and modern goods. Some recent studies also show that drought has pushed some Himba communities to rely more on gardens and other survival strategies. Ceremonies and Rituals Himba ceremonies include rites connected to birth, puberty, marriage, death, ancestors, and the sacred fire. Sources mention initiation rites for boys and girls. Boys may undergo circumcision. Girls may have rites connected to menarche, guided by older women. Dance and music are also part of social life. A University of Namibia source identifies Ondjongo as a dance among Ovazemba and Ovahimba communities, performed at social celebrations by both men and women. For some details of Himba ceremonies, evidence is limited in public academic sources. Where evidence is thin, it is better to avoid overclaiming. Role of Women Himba women perform a traditional song and dance during a cultural gathering in northern Namibia, showcasing the community’s rich heritage, distinctive attire, and ancestral traditions. Women play central roles in Himba society. They care for children, prepare food, maintain homes, process milk, make or wear body adornment, and help preserve social identity through dress, hair, and family life. Women also have documented forms of autonomy. Academic research notes that divorce can happen, later marriages may involve personal choice, and women may return to natal kin if a marriage ends. At the same time, Himba women may face pressure from arranged marriage, rural poverty, limited schooling, and gender expectations. Both realities can exist at once. Music, Dance and Arts Himba artistic expression includes body decoration, hairstyles, jewelry, leatherwork, and performance traditions. Otjize, hair design, and adornment are not only about beauty. They communicate identity, age, social status, and belonging. Because these practices are living heritage, researchers stress that Himba communities should be involved in how their culture is documented and represented. For detailed music and dance traditions beyond Ondjongo, Insufficient evidence found. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Infrastructure DRC and Angola Accelerate Joint Oil and Power Projects . Infrastructure DRC Prepares $1.258 Billion Lobito Corridor Railway Contract . African Culture Who Are the Himba tribe? Culture, Traditions and Life in Namibia . International Relations Pope Leo XIV to visit Angola shrine tied to slave trade . International Relations Angola trial spotlights Russia-linked influence push in Africa . Modern Life Modern Himba life is changing. Many communities face drought, environmental pressure, schooling, Christianity, tourism, mining, land-use rules, and proposed development projects.Some Himba people welcome parts of modern life, such as better tools, transport, education, and health services. Others worry that modern systems may weaken language, pastoral knowledge, land rights, and family traditions. A 2024 academic study found that Himba communities in Kunene are dealing with cultural and land-use changes linked to modernization, education, religion, globalization, and environmental stress. The Himba are not disappearing, but their way of life is under pressure. The most accurate way to describe Himba culture is as living, adaptive, and challenged. Common Misconceptions The Himba are untouched by modern life This is not accurate. Himba communities have long been affected by drought, colonial history, war, schooling, government policies, religion, tourism, markets, and development projects. “Himba culture is only about red ochre Otjize is important, but Himba culture also includes language, cattle, kinship, sacred fire, land use, marriage, food, dance, and modern rights issues. All Himba people live the same way Himba life varies by family, age, gender, location, wealth, schooling, and access to towns or services. Himba traditions never change Research shows that Himba culture has changed over time and continues to change today. References: University of Sheffield Himba fieldsite Namibia National Heritage Council United Nations Special Rapporteur: The Situation of Indigenous Peoples in Namibia ADVERTISEMENT RELATED ARTICLE Infrastructure DRC and Angola Accelerate Joint Oil and Power Projects Leaders target shared oil revenue, SONANGOL supplies and electricity for Grand Katanga . Infrastructure DRC Prepares $1.258 Billion Lobito Corridor Railway Contract The $1.258 billion project would modernize 1,004.5 km of railway linking Grand Katanga . African Culture Who Are the Himba tribe? Culture, Traditions and Life in Namibia Exploring the traditions, beliefs, lifestyle, and heritage of the Himba people. . International Relations Pope Leo XIV to visit Angola shrine tied to slave trade After Mass near Luanda, Pope Leo heads to Muxima, a shrine tied to Angola’s slave-trade past. . Tags Angola Angola Namibia Namibia Himba Tribe Himba Tribe

Explore Maasai beadwork, from its trade-bead history and social uses to women’s craftsmanship, tourism, modern design and ethical buying. Maasai beadwork is one of East Africa’s most recognisable forms of adornment. Women combine small beads, thread, wire, leather, plastic and metal to create collars, earrings, bracelets, belts and decorated household objects. These pieces can express beauty, identity, relationships and life stages, but their meanings vary across communities in Kenya and Tanzania. What is Maasai beadwork? Maasai beadwork is a living craft, practised mainly by women, that turns beads and supporting materials into jewellery and decorated objects. Some pieces are made for community use, ceremony or personal identity; others are created for sale. Designs differ by place, generation, age set and purpose. The beadwork is sometimes described online as an ancient visual code in which every colour has one fixed meaning. That explanation is attractive, but it is too simple. Research shows a more interesting history: Maasai artists have continually adapted imported materials, local aesthetics and new ideas. For wider cultural context, see XTRAfrica’s guide to the Maasai people of Kenya and Tanzania . Customs vary by locality, section, family, generation and individual choice. No design or interpretation in this article should be treated as a rule followed by every Maasai person. Beadwork Is More Than Decoration Beaded ornaments can help make social identity visible. Anthropologist Vanessa Wijngaarden’s fieldwork in Meru and Arusha in Tanzania and Narok, Oloitoktok and Kajiado in Kenya found that particular ornaments and patterns may communicate gender, section or clan affiliation, age set, marital position or motherhood. She also stresses that designs are dynamic and that younger generations deliberately develop striking styles of their own (Wijngaarden, 2018, pp. 242–243). Context is therefore essential. A collar worn at a community event is not automatically the same kind of object as a bracelet produced for a tourist shop. The wearer, maker, place, occasion and intended audience all shape what a piece does socially. Historical records also describe beaded gifts in courtship and ornaments worn by men, especially warriors. Michael Oehrl’s review of early sources reports that women generally made the beadwork and passed the skill from mother to daughter, while a young man’s jewellery could be made by a favoured girl (Oehrl, 2023, p. 4). This historical account should not be converted into a universal description of relationships today. A History Shaped by Trade and Change Continue Reading Full Article AFRICAN CULTURE Maasai Beadwork: History, Meaning and Modern Craft By Neema Asha Mwakalinga Travel & Culture Expert Neema Asha Mwakalinga Home Comment Jul 16, 2026 Jul 17, 2026 15 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Maasai beadwork is one of East Africa’s most recognisable forms of adornment. Women combine small beads, thread, wire, leather, plastic and metal to create collars, earrings, bracelets, belts and decorated household objects. These pieces can express beauty, identity, relationships and life stages, but their meanings vary across communities in Kenya and Tanzania. What is Maasai beadwork? Maasai beadwork is a living craft, practised mainly by women, that turns beads and supporting materials into jewellery and decorated objects. Some pieces are made for community use, ceremony or personal identity; others are created for sale. Designs differ by place, generation, age set and purpose. The beadwork is sometimes described online as an ancient visual code in which every colour has one fixed meaning. That explanation is attractive, but it is too simple. Research shows a more interesting history: Maasai artists have continually adapted imported materials, local aesthetics and new ideas. For wider cultural context, see XTRAfrica’s guide to the Maasai people of Kenya and Tanzania . Customs vary by locality, section, family, generation and individual choice. No design or interpretation in this article should be treated as a rule followed by every Maasai person. Beadwork Is More Than Decoration Beaded ornaments can help make social identity visible. Anthropologist Vanessa Wijngaarden’s fieldwork in Meru and Arusha in Tanzania and Narok, Oloitoktok and Kajiado in Kenya found that particular ornaments and patterns may communicate gender, section or clan affiliation, age set, marital position or motherhood. She also stresses that designs are dynamic and that younger generations deliberately develop striking styles of their own (Wijngaarden, 2018, pp. 242–243). Context is therefore essential. A collar worn at a community event is not automatically the same kind of object as a bracelet produced for a tourist shop. The wearer, maker, place, occasion and intended audience all shape what a piece does socially. Historical records also describe beaded gifts in courtship and ornaments worn by men, especially warriors. Michael Oehrl’s review of early sources reports that women generally made the beadwork and passed the skill from mother to daughter, while a young man’s jewellery could be made by a favoured girl (Oehrl, 2023, p. 4). This historical account should not be converted into a universal description of relationships today. A History Shaped by Trade and Change These five historic Maasai ornaments Engononkoi Narok, Emonyorit, Orkataar, Isikira and Isurutia were not merely jewellery but sacred family heirlooms connected to initiation, marriage and ancestral lineage. Credit: Pitt Rivers Museum, University of Oxford. The large, brightly coloured collars now associated with the Maasai did not exist in their present form for countless centuries. Early jewellery also used iron, copper, brass, leather, shell and limited numbers of glass beads. A British Museum necklace made in the Kilimanjaro region of Tanzania between 1894 and 1896 , for example, combines small blue glass beads with larger white shell beads. Glass beads reached inland East Africa through long-distance trade. Wijngaarden argues that Maasai artists greatly expanded their use around the late nineteenth century as imports grew (2018, p. 242). Oehrl places the main flowering of lavish styles later, in the 1950s (2023, pp. 3, 14). ADVERTISEMENT Museum No. Af1904 ,-.165: This necklace consists of a strand of small blue glass beads interspersed with larger barrel-shaped white shell beads. credit: britishmuseum The difference is mainly one of emphasis: adoption began earlier, while abundance and complexity accelerated later. This does not make Maasai beadwork less authentic. Culture is not authentic only when it is old and unchanged. Maasai artists took traded materials and made them meaningful within Maasai social life. The craft’s history is a story of creative ownership, not passive copying. Who Makes Maasai Beadwork? Women have historically held much of the specialised knowledge of bead production. Learning can take place through observation, practice and instruction within families and women’s groups. The maker must plan colour contrast, control tension and arrange many small units into a balanced surface. Even a small object can require considerable time and concentration. Men and women may both wear beadwork, while the makers, forms and uses differ by community and period. Oehrl documents historical necklaces, ear ornaments, arm pieces, belts, dance ornaments and decorated containers. His evidence also shows disagreement among earlier observers about who wore certain objects, a useful warning against turning a single museum label into a timeless rule (Oehrl, 2023, pp. 6–8). The craft belongs within a broader African history in which adornment can communicate identity without carrying identical meanings everywhere. XTRAfrica’s account of Himba clothing and adornment illustrates why jewellery should be understood within the culture that produced it, rather than through a generic “African” code. How the Beadwork Is Made There is no single technique or material combination used across Maasailand. Beads may be threaded in rows, sewn onto a base, supported with wire or attached to leather or plastic. Earlier sources describe beads strung on wire or cattle-sinew thread and sewn onto flat leather rings in geometric arrangements (Oehrl, 2023, p. 8). Contemporary makers also work inventively with available materials. In Wijngaarden’s field sites, women used fishing line or rolled fibres from old food bags as thread. They reused plastic from containers, strengthened forms with wire and sometimes made needles from bicycle spokes or umbrella frames (Wijngaarden, 2018, pp. 243–244). A Tanzanian exhibition created with Sidai Designs and the Maasai community in Monduli similarly documents beads threaded one by one onto strong recycled fibre. These examples describe particular makers, not a standard recipe. Some artists prefer leather; others use plastic, fabric, metal or combinations chosen for strength, price, availability and the buyer. Contemporary workshops also combine beading with silversmithing and fashion design. Do Maasai Bead Colours Have Fixed Meanings? Colour matters, but the popular chart that assigns one permanent meaning to every colour should be treated cautiously. A colour can gain significance through its combination with other colours, the form of the object, its wearer, the occasion and local convention. Meanings may differ between sections, age sets, Kenyan and Tanzanian communities, and products made for community use or outside buyers. ADVERTISEMENT Historical evidence shows that palettes also changed with trade. Oehrl records white, red and dark blue as a common late nineteenth-century combination, followed by new shades as imports changed. By the mid-twentieth century, green, red, white, orange and blue had become characteristic in some documented work (Oehrl, 2023, pp. 12–14). Wijngaarden provides an especially revealing Tanzanian example. White beads became strongly associated locally with cleanliness, modernity and wealth, while their scarcity during import restrictions encouraged other combinations. When white beads returned, artists used them extensively again. Colours first used in tourist products could also enter ornaments made for Maasai wear (Wijngaarden, 2018, p. 243). The safest conclusion is not that colour has no meaning. It is that meaning must be verified for the particular object and community. This same evidence-based caution is useful when reading about other visual traditions, including Suri body painting and adornment . Jewellery, Ceremony and Everyday Identity Maasai beadwork includes far more than the broad circular collar most familiar from photography. Historical and modern collections include earrings and ear flaps, narrow necklaces, bracelets, upper-arm ornaments, belts, headpieces, anklets, decorated gourds and accessories for clothing or equipment. Multiple Maasai jewelry and beads Some objects are connected to particular life stages or ceremonies. Others are fashion pieces, gifts or everyday signs of belonging. Oehrl notes that older sources linked certain ornaments with initiation, childbirth, naming and age-related roles, while later research documented a major expansion in forms and styles (Oehrl, 2023, pp. 7–10) . Modern symbols can sit comfortably inside this living tradition. Wijngaarden recorded bead designs influenced by watches, telegraph poles, police lights, helicopters, Christian crosses and political-party flags. Such examples overturn the idea that “traditional” design must avoid present-day life (Wijngaarden, 2018, p. 244). Beadwork, Tourism and Women’s Income Tourism created a large market for bracelets, necklaces, belts, sandals, bags and decorated household products. This market can provide women with direct income and space for entrepreneurship. Kenya’s official tourism platform describes a Beads Museum near Sekenani Gate in the Maasai Mara where women make and sell work through the associated art centre. Maasai beads However, selling crafts should not automatically be called empowerment. Tom Ondicho’s study of cultural bomas in the Amboseli region found that handicraft sales created ready markets, flexible self-employment and income that women could direct toward household needs. Women also reported stronger social networks and confidence through group work. Yet the income was generally small, unevenly distributed and insufficient on its own to transform livelihoods (Ondicho, 2022, pp. 37–44). A separate study of 95 women involved in the Basecamp Maasai Brand found employment benefits but judged many of the opportunities precarious rather than fully sustainable (Ariya, Sempele and Simaloi, 2020, pp. 143–155). Fair payment, maker control, business training, market access and transparent partnerships therefore matter as much as sales volume. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Travel Guide Stone Town Travel Guide: History, Food and a Walking Route . Travel Guide Mafia Island Travel Guide: Diving, Whale Sharks and When to Go . African Culture Nyerere vs Ruaha: Choosing a Southern Tanzania Safari . African Culture Tanzania Visa and Entry Requirements: What Travellers Need . Travel Tips Getting Around Tanzania: Flights, Trains, Buses and Ferries . Tourist pieces and community-worn ornaments are neither completely separate nor identical. Designs can move between the two markets and be reinterpreted. That exchange is part of the history of the craft, not proof that it has been “spoiled” (Wijngaarden, 2018, pp. 244–245). Maasai Beadwork in Contemporary Fashion Maasai artists now make traditional forms, souvenir products and contemporary jewellery for local and international markets. In Arusha, collaborations documented by Project FUEL and Sidai Designs combine beadwork with silverwork while training women in additional production skills. Such work belongs to the wider growth of African fashion and made-in-Africa design . Global visibility can bring opportunity, but it also raises questions about appropriation. A company may copy Maasai patterns or use Maasai identity in marketing without permission, acknowledgement or fair return. Ethical collaboration should involve Maasai makers in design decisions, name them where they consent, agree on payment and ownership, and avoid presenting factory-made copies as community-made work. How to Buy Maasai Beadwork Ethically Buy directly from a named maker, women’s group, cooperative or community-owned centre when possible. Ask who made the piece and where the sale proceeds go. Pay the agreed price fairly; do not treat a maker’s labour as a safari novelty. Do not assume every brightly beaded object is Maasai-made. Ask before photographing makers, children, homes or private ceremonies. Do not demand “tribal” colours or designs based on an online symbolism chart. Distinguish an original community-made object from a Maasai-inspired commercial product. Ethical buying cannot solve every structural problem in tourism, but it can give makers more control and reduce the distance between the craftsperson and the final customer. Frequently Asked Questions Is Maasai beadwork ancient? Maasai people have a long history of adornment, but the abundant glass-bead styles widely recognised today expanded mainly from the late nineteenth century and especially the mid-twentieth century. Their development was shaped by trade, changing bead supplies and Maasai creativity. Who traditionally makes Maasai beadwork? Women have historically produced much of the beadwork and passed skills across generations. Men and women can both wear beaded ornaments, and practices vary by place, period and type of object. Does every bead colour have one meaning? No universal chart can explain every piece. Colour meanings and preferences depend on community, age set, object, occasion, period and personal design. Some locally documented associations exist, but they should not be applied to all Maasai beadwork. Is tourist beadwork authentic? Work made for tourists may differ from community-worn jewellery, but it can still be genuinely made by Maasai artists. The key questions are who made it, who controls its design and sale, and whether the maker receives fair value. Maasai beadwork is valuable because it is alive. It carries skill, memory, identity and social relationships, but it also responds to shortages, new technologies, religion, politics, tourism and fashion. The strongest way to respect it is not to freeze it into an ancient colour code. It is to recognise Maasai women and other artists as creative decision-makers who continue to shape the craft’s future. References and Further Reading Ariya, George, Catherine Sempele and Florence Simaloi. 2020. “ Local Maasai Women Empowerment Through Employment Opportunity: Lessons from Base Camp Maasai Brand in Maasai Mara, Kenya .” In Sustainable Human Resource Management in Tourism , pp. 143–155. British Museum. “ Necklace, Tanzania, 1894–1896 .” Collection record Af1904,-.165. Oehrl, Michael. 2023. “ The Beaded and Associated Adornments of the Maasai .” BEADS: Journal of the Society of Bead Researchers 35: 3–17. Ondicho, Tom G. 2022. “ Empowering Kenyan Maasai Women Through Cultural Bomas Tourism .” Pathways to African Feminism and Development 7(1): 29–47. Pitt Rivers Museum. “ Maasai Living Cultures Project .” Collaborative project with Maasai representatives from Kenya and Tanzania. Project FUEL and Sidai Designs. “ The Magnificent Beading Technique of Maasai .” Google Arts & Culture. Wijngaarden, Vanessa. 2018. “ Maasai Beadwork Has Always Been Modern: An Exploration of Modernity Through Artefacts .” Cultural Dynamics 30(4): 235–252. ADVERTISEMENT RELATED ARTICLE Travel Guide Stone Town Travel Guide: History, Food and a Walking Route Stone Town occupies the western side of Unguja, the main island in the Zanzibar archipelago . Travel Guide Mafia Island Travel Guide: Diving, Whale Sharks and When to Go Plan Mafia Island by coast and season, with diving, whale sharks, transport, fees and places to stay. . African Culture Nyerere vs Ruaha: Choosing a Southern Tanzania Safari Compare wildlife, activities, access and costs before choosing Tanzania’s southern safari park. . African Culture Tanzania Visa and Entry Requirements: What Travellers Need Check visa eligibility, passport rules, health documents and Zanzibar insurance before travel. . Tags Visit Tanzania Visit Tanzania Tanzania Tanzania The Maasai People The Maasai People African Culture African Culture

Joke Silva says marrying an older man has advantages, reflecting on her decades-long marriage to Nollywood legend Olu Jacobs. Veteran Nollywood actress Joke Silva has shared insights into her marriage to legendary actor Olu Jacobs , saying that relationships with older men can come with certain advantages. Speaking during an appearance on TVC’s “Your View,” the 64-year-old actress reflected on her decades-long marriage and the dynamics created by their age difference. Silva revealed that Jacobs, who is 20 years older than her , has often been more tolerant and understanding in their relationship. According to Silva, one of the benefits of marrying an older partner is the level of patience and flexibility they may bring to the relationship. “ Older men allow you to get away with a lot of things , ” she said while discussing her experience. Silva and Jacobs first met through their work in the entertainment industry. She recalled that they initially crossed paths on stage and later on a movie set. “ Yes, we met on stage and later on a movie set. Everybody knew it was the great Olu Jacobs who was coming — except me, ” she explained. The actress added that although Jacobs fell in love with her at first sight, she did not immediately share the same feelings. Their relationship, however, developed over time. “ We got on very well, and it was after we started dating that I discovered his age because he looked so good, ” she said. Silva married Jacobs in 1985 , when she was 24 years old and he was 44 . The couple has remained one of Nollywood’s most admired partnerships, staying together for more than four decades and raising two children . Their enduring marriage is often cited as one of the longest-standing relationships in Nigeria’s film industry. Continue Reading Full Article NOLLYWOOD UPDATES Joke Silva: Older Men Let You Get Away With More By Witty Pascal Entertainment Editor Witty Pascal Home Comment Mar 4, 2026 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Veteran Nollywood actress Joke Silva has shared insights into her marriage to legendary actor Olu Jacobs , saying that relationships with older men can come with certain advantages. Speaking during an appearance on TVC’s “Your View,” the 64-year-old actress reflected on her decades-long marriage and the dynamics created by their age difference. Silva revealed that Jacobs, who is 20 years older than her , has often been more tolerant and understanding in their relationship. According to Silva, one of the benefits of marrying an older partner is the level of patience and flexibility they may bring to the relationship. ADVERTISEMENT “ Older men allow you to get away with a lot of things , ” she said while discussing her experience. Silva and Jacobs first met through their work in the entertainment industry. She recalled that they initially crossed paths on stage and later on a movie set. “ Yes, we met on stage and later on a movie set. Everybody knew it was the great Olu Jacobs who was coming — except me, ” she explained. ADVERTISEMENT The actress added that although Jacobs fell in love with her at first sight, she did not immediately share the same feelings. Their relationship, however, developed over time. “ We got on very well, and it was after we started dating that I discovered his age because he looked so good, ” she said. Silva married Jacobs in 1985 , when she was 24 years old and he was 44 . The couple has remained one of Nollywood’s most admired partnerships, staying together for more than four decades and raising two children . ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati . Entertainment Funke Akindele Faces Mixed Reactions Over Birthday Post . Their enduring marriage is often cited as one of the longest-standing relationships in Nigeria’s film industry. Source: Myjoyonline /The Ghana Report ADVERTISEMENT RELATED ARTICLE Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto FOLA earned 10 nominations as The Headies prepares its October ceremony in Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance The warrant was held over after Jub Jub missed court citing illness and will not be enforced yet. . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati The High Court ordered Maserati to repay Soulistic Music over an undelivered customised MC20 Cielo. . Tags Entertainment Entertainment Nigerian Entertainment Nigerian Entertainment Nigeria Nigeria

April 23, 2024, in a harrowing continuation of the migrant crisis facing Africa, recent capsizings off the coasts of Tunisia and Djibouti have resulted in significant loss of life, shedding light on the perilous journeys many undertake in search of a better life. The Tunisian coast guard reported the recovery of 19 bodies of migrants attempting to reach the Italian island of Lampedusa, marking a grim tally of nearly 200 migrant deaths in the region within the first four months of this year alone. This latest incident underscores the ongoing risks faced by those crossing the Mediterranean, a route often characterized by desperate measures and unsafe vessels. Simultaneously, a devastating episode off the coast of Djibouti has compounded the tragedy, with 21 migrants pronounced dead and another 23 missing after their boat capsized. This vessel, carrying 77 people, predominantly Ethiopians including children, represents the second such disaster in the area in just two weeks. The International Organization for Migration (IOM) highlighted the frequency of such incidents, as tens of thousands from the Horn of Africa, particularly Ethiopians and Somalis, embark on dangerous voyages through Djibouti aiming for Gulf countries. The survivors, along with the deceased, were retrieved by the IOM and local authorities, who emphasize the dire conditions and increasing dangers of these journeys. "These numbers have been increasing over the past few months," stated Tanja Pacifico, head of IOM’s Djiboutian office. She further noted the unusual occurrence of multiple shipwrecks in such a short period, with the previous incident claiming the lives of 38, including children. As the international community watches, these continuing tragedies highlight the urgent need for comprehensive solutions to manage and mitigate the risks faced by migrants, who are often driven by deep-seated economic and safety concerns in their home countries. The ongoing crisis serves as a stark reminder of the human cost of migration and the perilous paths many take in pursuit of hope and a new beginning . Continue Reading Full Article By Author Name Author Name Home Comment Apr 23, 2024 May 15, 2026 3 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: This latest incident underscores the ongoing risks faced by those crossing the Mediterranean April 23, 2024, in a harrowing continuation of the migrant crisis facing Africa, recent capsizings off the coasts of Tunisia and Djibouti have resulted in significant loss of life, shedding light on the perilous journeys many undertake in search of a better life. The Tunisian coast guard reported the recovery of 19 bodies of migrants attempting to reach the Italian island of Lampedusa, marking a grim tally of nearly 200 migrant deaths in the region within the first four months of this year alone. This latest incident underscores the ongoing risks faced by those crossing the Mediterranean, a route often characterized by desperate measures and unsafe vessels. ADVERTISEMENT Simultaneously, a devastating episode off the coast of Djibouti has compounded the tragedy, with 21 migrants pronounced dead and another 23 missing after their boat capsized. This vessel, carrying 77 people, predominantly Ethiopians including children, represents the second such disaster in the area in just two weeks. The International Organization for Migration (IOM) highlighted the frequency of such incidents, as tens of thousands from the Horn of Africa, particularly Ethiopians and Somalis, embark on dangerous voyages through Djibouti aiming for Gulf countries. ADVERTISEMENT The survivors, along with the deceased, were retrieved by the IOM and local authorities, who emphasize the dire conditions and increasing dangers of these journeys. "These numbers have been increasing over the past few months," stated Tanja Pacifico, head of IOM’s Djiboutian office. She further noted the unusual occurrence of multiple shipwrecks in such a short period, with the previous incident claiming the lives of 38, including children. As the international community watches, these continuing tragedies highlight the urgent need for comprehensive solutions to manage and mitigate the risks faced by migrants, who are often driven by deep-seated economic and safety concerns in their home countries. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY The ongoing crisis serves as a stark reminder of the human cost of migration and the perilous paths many take in pursuit of hope and a new beginning . ADVERTISEMENT RELATED ARTICLE Tags

Bukayo Saka has earned a moment of redemption, reminiscent of Stuart Pearce’s iconic performance, but for the TikTok generation. During England's perfect penalty shootout against Switzerland, fans witnessed a scene that echoed Euro 96 in Dusseldorf on Saturday night. England has only twice scored all their penalties in major tournament shootouts—against Spain at Wembley in 1996 and versus Switzerland in 2024. Pearce famously scored the third spot-kick against Spain, celebrating with a fierce fist pump and a roar. Similarly, Saka nailed the third spot-kick against Switzerland, celebrating with a wide, beaming smile, capturing the hearts of the new generation of England supporters. For both players, these moments represented significant redemption . Pearce’s successful penalty came six years after missing in the 1990 World Cup semi-final against West Germany. Reflecting on overcoming his past miss, Saka said, "I think for me, it's something I embrace. You can fail once but you have a choice whether you put yourself in that position again and I'm a guy who is going to put myself in that position. I believed in myself and when the ball hit the net I was a very happy man." Saka’s triumph came three years after his missed penalty in the European Championship final against Italy. When Trent Alexander-Arnold scored the winning kick, Saka sank to his knees with arms aloft, a gesture of gratitude and redemption, Saka-style—classy, skillful, and irresistibly likeable. Continue Reading Full Article By Author Name Author Name Home Comment Jul 7, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Bukayo Saka has earned a moment of redemption, reminiscent of Stuart Pearce’s iconic performance, but for the TikTok generation. During England's perfect penalty shootout against Switzerland, fans witnessed a scene that echoed Euro 96 in Dusseldorf on Saturday night. England has only twice scored all their penalties in major tournament shootouts—against Spain at Wembley in 1996 and versus Switzerland in 2024. Pearce famously scored the third spot-kick against Spain, celebrating with a fierce fist pump and a roar. Similarly, Saka nailed the third spot-kick against Switzerland, celebrating with a wide, beaming smile, capturing the hearts of the new generation of England supporters. ADVERTISEMENT For both players, these moments represented significant redemption . Pearce’s successful penalty came six years after missing in the 1990 World Cup semi-final against West Germany. Reflecting on overcoming his past miss, Saka said, "I think for me, it's something I embrace. You can fail once but you have a choice whether you put yourself in that position again and I'm a guy who is going to put myself in that position. I believed in myself and when the ball hit the net I was a very happy man." ADVERTISEMENT Saka’s triumph came three years after his missed penalty in the European Championship final against Italy. When Trent Alexander-Arnold scored the winning kick, Saka sank to his knees with arms aloft, a gesture of gratitude and redemption, Saka-style—classy, skillful, and irresistibly likeable. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY ADVERTISEMENT RELATED ARTICLE Tags

Labisi's new Assurance EP blends Afro-gospel, Fuji and worship, continuing her rise in African gospel music. Nigerian gospel singer Labisi is opening a new chapter in her music journey with the release of Assurance, an EP that puts faith, gratitude and African musical traditions at its centre. According to EeZee Conceptz , the new project brings together indigenous influences, heartfelt worship and joyful praise across a collection of songs that reflect God's faithfulness. The EP features tracks including "Favour Me," "Tuale," "Assurance," and "Oba Nke." Throughout the project, Labisi leans into her signature sound by blending Fuji, Afro-gospel and contemporary gospel music. The songs explore themes of unwavering faith, thanksgiving and confidence in Christ while drawing from the rich musical heritage that has become a defining part of her artistry. Assurance arrives after a series of releases that have steadily introduced Labisi to audiences across Africa. Songs such as "Ifeoluwa" and "Joy Has Come" helped establish her as one of the emerging voices in the continent's gospel scene, and the new EP continues that momentum with a more mature and confident body of work. Labisi's rise gained wider attention after she won the Gospel Groove Talent Quest 2023, a victory that led to her signing with EeZee Conceptz Global. Since then, she has built a growing fan base through uplifting performances, authentic storytelling and a strong commitment to indigenous African gospel music. The release of Assurance further strengthens Labisi's place among a new generation of gospel ministers who are preserving African musical identity while sharing timeless messages of hope and faith. The EP is now available on major digital streaming platforms. ENTERTAINMENT Labisi Celebrates Faith on New Assurance EP By Witty Pascal Entertainment Editor Witty Pascal Home Comment Jul 12, 2026 Jul 12, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Nigerian gospel singer Labisi is opening a new chapter in her music journey with the release of Assurance, an EP that puts faith, gratitude and African musical traditions at its centre. According to EeZee Conceptz , the new project brings together indigenous influences, heartfelt worship and joyful praise across a collection of songs that reflect God's faithfulness. The EP features tracks including "Favour Me," "Tuale," "Assurance," and "Oba Nke." ADVERTISEMENT Throughout the project, Labisi leans into her signature sound by blending Fuji, Afro-gospel and contemporary gospel music. The songs explore themes of unwavering faith, thanksgiving and confidence in Christ while drawing from the rich musical heritage that has become a defining part of her artistry. Assurance arrives after a series of releases that have steadily introduced Labisi to audiences across Africa. Songs such as "Ifeoluwa" and "Joy Has Come" helped establish her as one of the emerging voices in the continent's gospel scene, and the new EP continues that momentum with a more mature and confident body of work. ADVERTISEMENT Labisi's rise gained wider attention after she won the Gospel Groove Talent Quest 2023, a victory that led to her signing with EeZee Conceptz Global. Since then, she has built a growing fan base through uplifting performances, authentic storytelling and a strong commitment to indigenous African gospel music. The release of Assurance further strengthens Labisi's place among a new generation of gospel ministers who are preserving African musical identity while sharing timeless messages of hope and faith. The EP is now available on major digital streaming platforms. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati . Entertainment Funke Akindele Faces Mixed Reactions Over Birthday Post . ADVERTISEMENT RELATED ARTICLE Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto FOLA earned 10 nominations as The Headies prepares its October ceremony in Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance The warrant was held over after Jub Jub missed court citing illness and will not be enforced yet. . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati The High Court ordered Maserati to repay Soulistic Music over an undelivered customised MC20 Cielo. . Tags Entertainment Entertainment Nigerian Entertainment Nigerian Entertainment Nigeria Nigeria

Fifty years ago today, global news shifted dramatically from mega-topics such as the Watergate Scandal, 'The Rumble in the Jungle,' the Ozark Music Festival, 18-year-old Bjorn Borg's triumph at Roland-Garros, and 'The Godfather II.' Instead, it was monopolized by a split-second act on a German football field. “The whole world was talking about it,” said Johan Cruyff, its inventor. “The response was crazy.” In one of the dullest matches of the 1974 FIFA World Cup™, between the Netherlands and Sweden, Johan Cruyff performed one of the most mesmerizing moves in football history. Following Arie Haan’s high pass, Cruyff’s deft control and lightning-quick pivot, known as ‘The Cruyff Turn,’ left defender Jan Olsson floundering. This move was as significant to football as Muhammad Ali's victory over George Foreman later that year. “I never practiced tricks in training,” Cruyff stated. “It was spontaneous. I had a problem and needed a solution. It was the best solution.” “I wasn’t completely sure what he’d done, but I knew it was something outrageous,” recalled Olsson. Continue Reading Full Article By Author Name Author Name Home Comment Jun 19, 2024 May 15, 2026 3 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Fifty years ago today, global news shifted dramatically from mega-topics such as the Watergate Scandal, 'The Rumble in the Jungle,' the Ozark Music Festival, 18-year-old Bjorn Borg's triumph at Roland-Garros, and 'The Godfather II.' Instead, it was monopolized by a split-second act on a German football field. “The whole world was talking about it,” said Johan Cruyff, its inventor. “The response was crazy.” In one of the dullest matches of the 1974 FIFA World Cup™, between the Netherlands and Sweden, Johan Cruyff performed one of the most mesmerizing moves in football history. Following Arie Haan’s high pass, Cruyff’s deft control and lightning-quick pivot, known as ‘The Cruyff Turn,’ left defender Jan Olsson floundering. This move was as significant to football as Muhammad Ali's victory over George Foreman later that year. “I never practiced tricks in training,” Cruyff stated. ADVERTISEMENT “It was spontaneous. I had a problem and needed a solution. It was the best solution.” “I wasn’t completely sure what he’d done, but I knew it was something outrageous,” recalled Olsson. “Every time the ball went to him after that, I prayed: ‘Please don’t do it again!’ I knew instantly it was a historic moment.” Cruyff, however, had no idea of its impending impact. “There was a World Cup going on, there was so much happening all over the world, and it was all people wanted to talk about,” he said. Even Olsson, the move’s victim, felt like a hero . “I walked into the dressing room after the game, looked at my team-mates, and we all burst out laughing,” Olsson remembered decades later. “I still find it funny now.” “I still don’t know how he did it. Every time I watch the video, I think, ‘The ball is mine.’ I don’t feel in the slightest bit humiliated. It was a moment of absolute genius. I love everything about it." “My parents loved it, my friends loved it. People still come up to me with a ball and ask me to do the move with them. “I think about football every day and every time I do, I think about Johan Cruyff. He was an unbelievable player and a gentleman. I played at the top level for 18 years. That moment against Cruyff is the proudest of my career.” ADVERTISEMENT ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY ADVERTISEMENT RELATED ARTICLE Tags

At TICAD 9 in Yokohama, Japan and African leaders pledge stronger ties in peace, trade, mining, and AI to boost Africa’s growth and stability. The Ninth Tokyo International Conference on African Development (TICAD 9), initiated by the Japanese Government in 1993, opened in Yokohama from August 20 to 22, 2025. The event is co-chaired by the African Union under the leadership of Angolan President João Lourenço. High-Level African Participation Representatives from around 50 African nations are attending, including: Nigerian President Bola Tinubu South African President Cyril Ramaphosa Burundian President Évariste Ndayishimiye Kenyan President William Ruto UN Secretary-General António Guterres Cameroon, Côte d’Ivoire, and Senegal are represented by foreign ministers. The Democratic Republic of Congo (DRC) is represented by a strong interministerial delegation led by Prime Minister Judith Suminwa Tuluka , accompanied by: Daniel Mukoko Samba, Deputy PM & Minister of National Economy Continue Reading Full Article AFRICA-ASIA RELATIONS TICAD 9 in Yokohama: Japan and Africa Strengthen Peace, Trade By Guerson Nabushi Nyonkourou Political Analyst Guerson Nabushi Nyonkourou Home Comment Aug 20, 2025 May 15, 2026 4 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: The Ninth Tokyo International Conference on African Development (TICAD 9), initiated by the Japanese Government in 1993, opened in Yokohama from August 20 to 22, 2025. The event is co-chaired by the African Union under the leadership of Angolan President João Lourenço. High-Level African Participation Representatives from around 50 African nations are attending, including: Nigerian President Bola Tinubu South African President Cyril Ramaphosa Burundian President Évariste Ndayishimiye Kenyan President William Ruto UN Secretary-General António Guterres Cameroon, Côte d’Ivoire, and Senegal are represented by foreign ministers. The Democratic Republic of Congo (DRC) is represented by a strong interministerial delegation led by Prime Minister Judith Suminwa Tuluka , accompanied by: Daniel Mukoko Samba, Deputy PM & Minister of National Economy Marc Ekila Likombio, Minister of State for Vocational Training Julien Paluku Kahongya, Minister of Foreign Trade Lous Kabamba Watum, Minister of Mines Noëlla Ayenganagato Nakwipone, Deputy Minister of Foreign Affairs Their presence underscores Congo’s determination to highlight strategic sectors, economy, training, trade, mining, and diplomacy as priorities within TICAD. ADVERTISEMENT Focus on Peace, Stability, and Prosperity During the first plenary session on “Peace and Stability”, the DRC reaffirmed its commitment to deepen diplomatic and military cooperation with Japan. This follows several high-level visits and agreements earlier this year to revitalize bilateral ties. Japan, by putting peace and stability at the core of TICAD 9, also reaffirms its long-term vision for a stable, prosperous, and peaceful Africa. Debt, Trade, and Global Partnerships The conference comes at a time when many African nations face a debt and liquidity crisis, largely due to borrowing from China and private creditors. Reduced Western aid, worsened by the dismantling of USAID under former U.S. President Donald Trump, has further strained budgets. ADVERTISEMENT President Ramaphosa warned that this crisis is limiting governments’ ability to provide safety nets for citizens. Discussions in Yokohama are expected to address: Possible free trade agreements between Japan and Africa Loan guarantees and investment incentives for Japanese companies New frameworks for sustainable financing Japan’s Prime Minister emphasized a partnership based on trust, stating: “Rather than focusing on our own needs, we want to carefully identify the needs of our partners and earn their trust.” ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Scholarships 120 EAC Master’s Scholarships Open to EAC Students — How to Apply . Scholarships UCT Mastercard Foundation Scholarship 2027 Opens to Africans . Scholarships Chevening Scholarships 2027–2028 Open Across Africa — How to Apply . African Culture Himba Clothing and Adornment: Meaning of Traditional Dress . International Relations Ndayishimiye Backs Leopards After Historic Draw With Portugal . Investment in People and Technology Africa’s youthful population and abundant resources were highlighted as key opportunities. Japan pledged to train 30,000 artificial intelligence experts over the next three years to accelerate digital transformation in African industries. Business leaders, including the Keidanren (Japan Business Federation), stressed that Japan must position itself as a trustworthy partner by actively contributing to solving Africa’s social and economic challenges. ADVERTISEMENT RELATED ARTICLE Scholarships 120 EAC Master’s Scholarships Open to EAC Students — How to Apply Up to 120 EAC Master’s scholarships are open to nationals of eight East African countries, . Scholarships UCT Mastercard Foundation Scholarship 2027 Opens to Africans UCT Mastercard Foundation Scholars Program 2027 is open to African students with ... . Scholarships Chevening Scholarships 2027–2028 Open Across Africa — How to Apply Chevening Scholarships 2027–2028 are open to eligible African applicants. See funding, . African Culture Himba Clothing and Adornment: Meaning of Traditional Dress What otjize, jewelry, hairstyles, and clothing represent in Himba culture . Tags Africa Africa Japan Japan

UK rapper DigDat, born Nathan Tokosi, has been sentenced to life in prison for attempted murder following a 2023 London shooting, a court ruled. According to Inyarwanda.com , a UK court has sentenced rapper Nathan Tokosi , widely known by his stage name DigDat, to life imprisonment after convicting him of attempted murder linked to a shooting in west London. The ruling was delivered by the Old Bailey court, which ordered that the 26-year-old must serve a minimum of 24 years in prison before he can apply for parole. Tokosi was found guilty of shooting a 27-year-old man, Daniel Offei-Ntow, multiple times during a late-night attack in Notting Hill on November 20, 2023. Prosecutors told the court that Tokosi carried out the attack by firing a handgun through the open window of a vehicle in which the victim was seated. Offei-Ntow sustained gunshot wounds to the head, mouth, and other parts of his body, requiring two emergency surgeries to save his life. Detective Chief Inspector Chris Shepherd described the incident as a premeditated and violent act intended to kill. Police officers responding to the scene found the victim’s vehicle heavily stained with blood on Clydesdale Road during the early morning hours. The prosecution said CCTV footage showed Tokosi repeatedly driving around the area in the days and hours leading up to the shooting, using a stolen Audi vehicle. The firearm used in the attack was later recovered along with the stolen car. During sentencing, the court heard that Tokosi had a long history of violent behavior dating back to childhood. Records showed that he had previously been convicted of assault and knife-related offenses as a minor and had served time in youth detention for attempted murder. Tokosi was initially convicted in February 2025 on charges including attempted murder, possession of a self-loading pistol, and possession of prohibited ammunition. A subsequent hearing in November 2025 resulted in additional convictions related to illegal firearm possession, leading to the life sentence. Under UK law, a life sentence does not guarantee permanent imprisonment but places the offender under lifelong supervision. Tokosi will only be considered for release after serving the minimum term, subject to a risk assessment by parole authorities. Source: Inyarwanda.com Continue Reading Full Article ENTERTAINMENT UK Court Sentences Rapper DigDat to Life for Attempted Murder By Witty Pascal Entertainment Editor Witty Pascal Home Comment Jan 28, 2026 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: According to Inyarwanda.com , a UK court has sentenced rapper Nathan Tokosi , widely known by his stage name DigDat, to life imprisonment after convicting him of attempted murder linked to a shooting in west London. The ruling was delivered by the Old Bailey court, which ordered that the 26-year-old must serve a minimum of 24 years in prison before he can apply for parole. Tokosi was found guilty of shooting a 27-year-old man, Daniel Offei-Ntow, multiple times during a late-night attack in Notting Hill on November 20, 2023. Prosecutors told the court that Tokosi carried out the attack by firing a handgun through the open window of a vehicle in which the victim was seated. Offei-Ntow sustained gunshot wounds to the head, mouth, and other parts of his body, requiring two emergency surgeries to save his life. ADVERTISEMENT Detective Chief Inspector Chris Shepherd described the incident as a premeditated and violent act intended to kill. Police officers responding to the scene found the victim’s vehicle heavily stained with blood on Clydesdale Road during the early morning hours. The prosecution said CCTV footage showed Tokosi repeatedly driving around the area in the days and hours leading up to the shooting, using a stolen Audi vehicle. The firearm used in the attack was later recovered along with the stolen car. ADVERTISEMENT During sentencing, the court heard that Tokosi had a long history of violent behavior dating back to childhood. Records showed that he had previously been convicted of assault and knife-related offenses as a minor and had served time in youth detention for attempted murder. Tokosi was initially convicted in February 2025 on charges including attempted murder, possession of a self-loading pistol, and possession of prohibited ammunition. A subsequent hearing in November 2025 resulted in additional convictions related to illegal firearm possession, leading to the life sentence. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati . Entertainment Funke Akindele Faces Mixed Reactions Over Birthday Post . Under UK law, a life sentence does not guarantee permanent imprisonment but places the offender under lifelong supervision. Tokosi will only be considered for release after serving the minimum term, subject to a risk assessment by parole authorities. Source: Inyarwanda.com ADVERTISEMENT RELATED ARTICLE Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto FOLA earned 10 nominations as The Headies prepares its October ceremony in Toronto . Entertainment Jub Jub Arrest Warrant Issued After Missed Court Appearance The warrant was held over after Jub Jub missed court citing illness and will not be enforced yet. . Entertainment Black Coffee Wins R7 Million Court Battle Against Maserati The High Court ordered Maserati to repay Soulistic Music over an undelivered customised MC20 Cielo. . Tags Entertainment Entertainment U.K U.K

Sebastien Haller's striking performance emerged as a beacon of hope for Borussia Dortmund in their challenging Champions League encounter against Atletico Madrid. Despite a 2-1 loss away in Spain, Haller's crucial late goal not only demonstrated his tenacity but also highlighted the Ivorian's pivotal role in keeping Dortmund's European ambitions alive. The African star's impact on the field was a testament to his resilience and skill, qualities that have increasingly become synonymous with the continent's players on the international stage. Atletico Madrid's early dominance, underscored by goals from Rodrigo de Paul and Samuel Lino, set a daunting task for the German side. Yet, it was Haller who rose to the occasion, delivering a much-needed goal in the 81st minute, ensuring Dortmund remain competitive for the second leg at home. The significance of his contribution was nearly amplified by Julian Brandt's near miss in the closing moments, a reminder of how the game teetered on the edge of a different outcome, largely thanks to Haller's intervention. Haller's performance once again reinforces the narrative of African players as critical assets in top-tier football, capable of swaying the dynamics of high-stakes matches. His consistent display of skill and perseverance stands as a shining example of the excellent football talent Africa contributes to leagues and competitions across the globe. With the second leg poised to be a riveting contest, all eyes will be on Haller and his capacity to influence the game, upholding not only Dortmund's hopes but also the proud representation of African excellence in football. Continue Reading Full Article By Author Name Author Name Home Comment Apr 11, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Sebastien Haller's decisive strike breathes life into Dortmund's campaign. Photo: Gettyimages Sebastien Haller's striking performance emerged as a beacon of hope for Borussia Dortmund in their challenging Champions League encounter against Atletico Madrid. Despite a 2-1 loss away in Spain, Haller's crucial late goal not only demonstrated his tenacity but also highlighted the Ivorian's pivotal role in keeping Dortmund's European ambitions alive. The African star's impact on the field was a testament to his resilience and skill, qualities that have increasingly become synonymous with the continent's players on the international stage. Atletico Madrid's early dominance, underscored by goals from Rodrigo de Paul and Samuel Lino, set a daunting task for the German side. Yet, it was Haller who rose to the occasion, delivering a much-needed goal in the 81st minute, ensuring Dortmund remain competitive for the second leg at home. The significance of his contribution was nearly amplified by Julian Brandt's near miss in the closing moments, a reminder of how the game teetered on the edge of a different outcome, largely thanks to Haller's intervention. ADVERTISEMENT Haller's performance once again reinforces the narrative of African players as critical assets in top-tier football, capable of swaying the dynamics of high-stakes matches. His consistent display of skill and perseverance stands as a shining example of the excellent football talent Africa contributes to leagues and competitions across the globe. With the second leg poised to be a riveting contest, all eyes will be on Haller and his capacity to influence the game, upholding not only Dortmund's hopes but also the proud representation of African excellence in football. ADVERTISEMENT ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY ADVERTISEMENT RELATED ARTICLE Tags

Russ Cook, a British endurance athlete known as the "Hardest Geezer", embarked on the final stage of his monumental run across Africa on Sunday, starting from Bizerte, Tunisia, with the aim of concluding his charitable journey at Cape Angela, the continent's northernmost point. Beginning his extraordinary challenge in April of the previous year from Cape Agulhas, South Africa's southernmost tip, Cook has traversed the vast expanse of Africa, covering over 16,000 kilometers. He entered Tunisia on Thursday night, setting the stage for the culmination of his extensive trek. On Sunday, the 26-year-old was accompanied by a group of supporters who ran alongside him, marking the commencement of the concluding segment of his journey. Cook's endeavor is dedicated to raising funds for two charitable organizations: The Running Charity, which assists young individuals facing homelessness or complex needs, and Sandblast, which focuses on raising awareness and support for the indigenous Saharawi people of Western Sahara. In the lead-up to the final leg of his run, Cook witnessed a significant increase in contributions, with the total donations surpassing £650,000 ($808,832), edging closer to his £1 million fundraising target. Continue Reading Full Article By Author Name Author Name Home Comment Apr 8, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Russ Cook embarked on his journey in April of the previous year, initiating his challenge from Cape Agulhas in South Africa, the southernmost tip of the African continent. @emeatribute Russ Cook, a British endurance athlete known as the "Hardest Geezer", embarked on the final stage of his monumental run across Africa on Sunday, starting from Bizerte, Tunisia, with the aim of concluding his charitable journey at Cape Angela, the continent's northernmost point. Beginning his extraordinary challenge in April of the previous year from Cape Agulhas, South Africa's southernmost tip, Cook has traversed the vast expanse of Africa, covering over 16,000 kilometers. He entered Tunisia on Thursday night, setting the stage for the culmination of his extensive trek. ADVERTISEMENT On Sunday, the 26-year-old was accompanied by a group of supporters who ran alongside him, marking the commencement of the concluding segment of his journey. Cook's endeavor is dedicated to raising funds for two charitable organizations: The Running Charity, which assists young individuals facing homelessness or complex needs, and Sandblast, which focuses on raising awareness and support for the indigenous Saharawi people of Western Sahara. ADVERTISEMENT In the lead-up to the final leg of his run, Cook witnessed a significant increase in contributions, with the total donations surpassing £650,000 ($808,832), edging closer to his £1 million fundraising target. ADVERTISEMENT TRENDING NOW How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Tax and Revenue Niger TV Shows Soldiers Detained After Niamey Mutiny . Justice & Crime KAA Warns of Flight Delays at Kenyan Airports . Transport and Airlines POPULAR TODAY ADVERTISEMENT RELATED ARTICLE Tags