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ENTERTAINMENT

Asake Turns Up Kings Theatre with a Symphony of Afrobeats

Asake delivers a groundbreaking Red Bull Symphonic show at Kings Theatre, merging Afrobeats with classical orchestration in a sold-out NYC spectacle.

November 11, 2025 at 7:45:10 AM

May 15, 2026 at 7:03:38 PM

🕒 5 min read

Witty Pascal

By

Witty Pascal

Entertainment Editor

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Asake delivers a groundbreaking Red Bull Symphonic show at Kings Theatre, merging Afrobeats with classical orchestration in a sold-out NYC spectacle.

On November 8, 2025, Asake took the grand stage of Kings Theatre in Brooklyn and delivered a performance that may redefine how Afrobeats is presented.


Billed as the first U.S. Red Bull Symphonic led by an African artist, the sold‑out show fused Asake’s fújì‑infused Afrobeats catalogue with a 33‑piece orchestra led by conductor Glenn Alexander II.


Hits like “Lonely at the Top,” “Sungba” and “Terminator” were reimagined with cinematic string swells and brass flourishes, turning club anthems into lavish suites. Critics hailed the concert as both a celebration and a cultural statement, noting that Asake is the first African artist to headline the Brooklyn edition of the programme.


The night was full of surprises. Mid‑set, Asake previewed an unreleased song from his forthcoming Mr. Money project, and the audience responded with gasps and cheers. He then welcomed an international slate of guests Wizkid, Tiakola, Gunna, Central Cee and Fridayy  whose rap and R&B verses dovetailed seamlessly into the orchestral textures.


In a moment that electrified the Kings Theatre, Asake stunned fans by bringing out Wizkid for an unannounced cameo during his Red Bull Symphonic set. The orchestra swelled, the spotlight shifted and suddenly, Wizkid emerged, sending the Brooklyn crowd into a collective uproar.


Performing their 2024 collab “MMS” with live strings and brass behind them, the duo transformed the night from genre fusion to generational link-up. Social media instantly lit up with real-time clips of the moment, with Billboard Africa calling it one of the show’s defining highlights.


The most talked‑about moment came when Wizkid slipped onto the stage during their hit “MMS.”

Fans screamed as the Afrobeats icon’s smooth vocals blended with the orchestra; social feeds quickly filled with clips of the duet, and one fan gushed that Asake’s symphonic show was “what I always wanted”.


On social media, the mood was euphoric.

Afrobeats tastemakers and fans posted live footage and reverent commentary. One viral post captured the awe of the night, saying:

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