The Rapture” is trending after viral TikTok prophecies tied it to Sept 23, 2025. Here’s what the Bible says, the signs, and why it went viral. In late September 2025, TikTok and other platforms were flooded with #RaptureTok videos. Some believers tearfully urged repentance, while others made light of the trend with “Rapture Trip Tips” — joking that people should at least wear new clothes before ascending to heaven. Under the hashtag #Rapture, more than 320,000 videos had been posted by September 23. Some users even claimed to be selling their homes and cars because they believed they would no longer need them. The frenzy was sparked by South African preacher Joshua Mhlakela, who said in a YouTube interview that Jesus revealed to him the rapture would happen on September 23 or 24, during the Jewish festival of Rosh Hashanah. His prophecy triggered both fervor and ridicule — and a wave of searches about what the rapture is, what signs to look for, and whether anyone can know the date. Biblical Meaning of the Rapture The word “rapture” does not appear in the Bible. Instead, passages such as 1 Thessalonians 4:16-17 and 1 Corinthians 15:51-52 describe believers being “caught up in the clouds to meet the Lord” and transformed “in the twinkling of an eye.” Many evangelical Christians interpret these verses to mean that true believers will be taken up to heaven when Christ returns, while others remain to endure a period of suffering known as the tribulation. Not all Christians agree. Catholic and mainline Protestant scholars often see the passages as symbolic or tied to Christ’s final return at the end of history. Even those who accept the rapture idea caution against date-setting. Paul warned that “the day of the Lord will come like a thief in the night” (1 Thessalonians 5:2–4), urging constant readiness rather than predictions. Signs Believers Look For From Matthew 24 and Luke 21, Christians have long pointed to “signs of the end.” These often include: The rise of false prophets Wars and global unrest Continue Reading Full Article RELIGION & SOCIETY Why “The Rapture” Is Trending: Viral Prophecy & Bible Meaning By Neema Asha Mwakalinga Travel & Culture Expert Neema Asha Mwakalinga Home Comment Sep 23, 2025 May 15, 2026 5 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: In late September 2025, TikTok and other platforms were flooded with #RaptureTok videos. Some believers tearfully urged repentance, while others made light of the trend with “Rapture Trip Tips” — joking that people should at least wear new clothes before ascending to heaven. Under the hashtag #Rapture, more than 320,000 videos had been posted by September 23. Some users even claimed to be selling their homes and cars because they believed they would no longer need them. The frenzy was sparked by South African preacher Joshua Mhlakela, who said in a YouTube interview that Jesus revealed to him the rapture would happen on September 23 or 24, during the Jewish festival of Rosh Hashanah. His prophecy triggered both fervor and ridicule — and a wave of searches about what the rapture is, what signs to look for, and whether anyone can know the date. Biblical Meaning of the Rapture The word “rapture” does not appear in the Bible. Instead, passages such as 1 Thessalonians 4:16-17 and 1 Corinthians 15:51-52 describe believers being “caught up in the clouds to meet the Lord” and transformed “in the twinkling of an eye.” Many evangelical Christians interpret these verses to mean that true believers will be taken up to heaven when Christ returns, while others remain to endure a period of suffering known as the tribulation. Not all Christians agree. Catholic and mainline Protestant scholars often see the passages as symbolic or tied to Christ’s final return at the end of history. ADVERTISEMENT Even those who accept the rapture idea caution against date-setting. Paul warned that “the day of the Lord will come like a thief in the night” (1 Thessalonians 5:2–4), urging constant readiness rather than predictions. Signs Believers Look For From Matthew 24 and Luke 21, Christians have long pointed to “signs of the end.” These often include: The rise of false prophets Wars and global unrest Natural disasters such as earthquakes and famine Persecution of believers The spread of the gospel worldwide The “abomination of desolation” in a holy place Unusual celestial events Many interpret current wars, pandemics, and environmental crises as proof that these prophecies are unfolding. Critics note, however, that such events have recurred throughout history. Why the Rapture Is Trending Mhlakela’s prophecy gained traction because it tied the rapture to Rosh Hashanah, a Jewish feast linked with trumpets and renewal. In his video, he gave a two-day window — September 23 or 24 — even while admitting “no one knows the day or hour.” The clip drew more than half a million views before the date arrived. ADVERTISEMENT TikTok amplified the message, with some creators sincerely preparing letters and Bible kits for those “left behind.” Others mocked the panic with comedy skits. By the morning of September 23, hundreds of thousands of #Rapture videos had circulated, blending genuine fear with parody. A History of Failed Predictions This is not the first rapture forecast. In 1988, evangelist Edgar Whisenant predicted it would occur that September. In 1994, another wave of speculation followed. Most famously, Harold Camping declared the rapture would happen on May 21, 2011, a prophecy that collapsed in embarrassment. Despite repeated failures, rapture theology has remained popular, fueled by books like The Late Great Planet Earth and the Left Behind series. Social media has given these prophecies new viral power, spreading both sermons and satire to global audiences. Skepticism and Reactions Even within conservative churches, many leaders warn against setting dates, citing Jesus’ words in Mark 13:32: “No one knows the day or hour… only the Father.” Scholars emphasize that the purpose of prophecy is not to inspire countdowns but to encourage faithfulness and readiness. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Justice & Crime Inside DRC’s Operation to Bring Denise Dusauchoy to Kinshasa . Rwanda Politics Kagame Sides With Journalist Against His Own Foreign Minister . Natural Disasters Guinea Landfill Landslide Kills 30 as Search Continues . Justice & Crime Niger Governor Orders Rescue of Worshippers Abducted in Borgu . Biography DJ Maphorisa Biography: Age, Real Name, Songs & Amapiano Rise . ADVERTISEMENT Secular commentators largely treated the #RaptureTok frenzy as a spectacle. Some joked online about “taking over” the possessions of believers. Others worried that vulnerable people were being misled into giving away property or living in unnecessary fear. Psychologists note that constant exposure to apocalyptic teachings can leave lasting anxiety, especially among those raised in strict religious circles. Conclusion: Expectation Without Fear The September 2025 rapture trend shows how quickly a prophecy can ignite on social media, inspiring both devotion and ridicule. While almost half of U.S. Christians believe we may be in the end times, mainstream theologians caution that no one can predict the exact date. For many, the takeaway is simple: live responsibly and compassionately, without being consumed by viral countdowns. Whether one sees the rapture as literal or symbolic, the Bible’s message remains that the timing is unknown — and that faith is shown not in predicting the end, but in how we live today. ADVERTISEMENT Related Articles Justice & Crime Inside DRC’s Operation to Bring Denise Dusauchoy to Kinshasa How a DRC warrant, Tanzanian cooperation and a reported private jet brought Denise Dusauchoy . Rwanda Politics Kagame Sides With Journalist Against His Own Foreign Minister Kagame said Olivier Nduhungirehe, not journalist Scovia Umutesi, should have apologized. . Natural Disasters Guinea Landfill Landslide Kills 30 as Search Continues Rescuers are searching for survivors after a massive waste collapse buried homes in Conakry. . Justice & Crime Niger Governor Orders Rescue of Worshippers Abducted in Borgu Governor Bago orders intensified rescue efforts as officials verify how many worshippers were abducted. . Tags Trending News Trending News Africa Africa

In the dynamic realm of celebrity where rivalries abound and alliances are ever-changing, the phenomenon of successful stars maintaining genuine connections amidst competitive pressures is notably rare. This rings true for the Afrobeats scene, particularly among its acclaimed 'big 3'—Davido, Wizkid, and Burna Boy. Recently, Davido offered an insightful glimpse into his relationships with his fellow artists during an appearance on the show "Sway’s Universe." As a guest on the popular American program, the Nigerian music star, known for hits like “Unavailable,” discussed the nuances of his interactions with Wizkid and Burna Boy. Addressing the frequency of their communication, Davido admitted that they do not regularly stay in touch, despite having each other's contact information and acknowledging their different backgrounds. Davido emphasized the geographical separation between them, noting that each artist represents different regions of Nigeria. However, he affirmed that despite the physical and professional distances, they all share the common thread of divine blessings that have propelled their careers in music. During the interview, Davido also addressed the perception that he, along with Wizkid and Burna Boy, are the leading trio in the global Afrobeats arena. Challenging this notion, he made a bold declaration about his status within the industry. "I am big me," Davido asserted, distinguishing himself as a singular force in the Afrobeats scene. This candid revelation from Davido adds a new layer to the understanding of the relationships and competitive dynamics among these top artists in the music industry. Continue Reading Full Article By Author Name Author Name Home Comment Apr 16, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Instagram/@wizikidayo@davido@burnaboygram In the dynamic realm of celebrity where rivalries abound and alliances are ever-changing, the phenomenon of successful stars maintaining genuine connections amidst competitive pressures is notably rare. This rings true for the Afrobeats scene, particularly among its acclaimed 'big 3'—Davido, Wizkid, and Burna Boy. Recently, Davido offered an insightful glimpse into his relationships with his fellow artists during an appearance on the show "Sway’s Universe." As a guest on the popular American program, the Nigerian music star, known for hits like “Unavailable,” discussed the nuances of his interactions with Wizkid and Burna Boy. Addressing the frequency of their communication, Davido admitted that they do not regularly stay in touch, despite having each other's contact information and acknowledging their different backgrounds. ADVERTISEMENT Davido emphasized the geographical separation between them, noting that each artist represents different regions of Nigeria. However, he affirmed that despite the physical and professional distances, they all share the common thread of divine blessings that have propelled their careers in music. During the interview, Davido also addressed the perception that he, along with Wizkid and Burna Boy, are the leading trio in the global Afrobeats arena. Challenging this notion, he made a bold declaration about his status within the industry. ADVERTISEMENT "I am big me," Davido asserted, distinguishing himself as a singular force in the Afrobeats scene. This candid revelation from Davido adds a new layer to the understanding of the relationships and competitive dynamics among these top artists in the music industry. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today ADVERTISEMENT ADVERTISEMENT Related Articles Tags

South Africans are receiving Temu “Shipping Confirmed” alerts that lead to in-app promos. Here’s what to check and how to protect yourself. South African shoppers are being cautioned after reports that Temu is sending “Shipping Confirmed” notifications that appear to indicate an order is on the way even when a user has not placed an order prompting them to open the app and engage with promotional offers. According to the report, the notifications can create the impression that “free items” are already in transit. When users tap through, they are directed into an in-app mini-game (such as a spin-the-wheel mechanic) offering rewards like discounts or free products. The concern raised is not simply the promotion itself, but the presentation : shipping-style language can be easily misread as a genuine logistics update rather than a marketing prompt as reported by Bussiness Tech . What the report says Temu discloses in its rules Report notes that Temu’s in-app rules state these mini-games are “for illustrative purposes” and that participants receive the “best result,” meaning outcomes are not random in the way users might assume. In practice, that makes the shipping-style alert feel less like a neutral status update and more like a high-pressure nudge designed to drive engagement. For consumers, the immediate risk is confusion especially for people who shop frequently online and rely on push notifications to track parcels. More broadly, marketing that resembles operational messaging (like shipping updates) can blur the line between advertising and order information, making it harder to tell what is real, what is promotional, and what requires action. South Africa ’s Consumer Protection Act prohibits false, misleading, or deceptive representations in marketing, including ambiguity or failure to disclose material facts in a way that misleads consumers. While only regulators can determine whether a specific practice breaches the law, the standard is clear: marketing should not mislead consumers about a material fact . Practical steps if you receive a “Shipping Confirmed” alert Verify inside your order history first : Check whether you actually placed an order and whether a tracking number exists. Treat “free gift” prompts as promotions : If the next screen is a game, discount countdown, or deal page, assume it’s marketing. Continue Reading Full Article ECONOMIC REPORTS Temu “Shipping Confirmed” alerts spark consumer warning in SA By Neema Asha Mwakalinga Travel & Culture Expert Neema Asha Mwakalinga Home Comment Jan 30, 2026 May 15, 2026 3 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: South African shoppers are being cautioned after reports that Temu is sending “Shipping Confirmed” notifications that appear to indicate an order is on the way even when a user has not placed an order prompting them to open the app and engage with promotional offers. According to the report, the notifications can create the impression that “free items” are already in transit. When users tap through, they are directed into an in-app mini-game (such as a spin-the-wheel mechanic) offering rewards like discounts or free products. The concern raised is not simply the promotion itself, but the presentation : shipping-style language can be easily misread as a genuine logistics update rather than a marketing prompt as reported by Bussiness Tech . ADVERTISEMENT What the report says Temu discloses in its rules Report notes that Temu’s in-app rules state these mini-games are “for illustrative purposes” and that participants receive the “best result,” meaning outcomes are not random in the way users might assume. In practice, that makes the shipping-style alert feel less like a neutral status update and more like a high-pressure nudge designed to drive engagement. For consumers, the immediate risk is confusion especially for people who shop frequently online and rely on push notifications to track parcels. More broadly, marketing that resembles operational messaging (like shipping updates) can blur the line between advertising and order information, making it harder to tell what is real, what is promotional, and what requires action. ADVERTISEMENT South Africa ’s Consumer Protection Act prohibits false, misleading, or deceptive representations in marketing, including ambiguity or failure to disclose material facts in a way that misleads consumers. While only regulators can determine whether a specific practice breaches the law, the standard is clear: marketing should not mislead consumers about a material fact . Practical steps if you receive a “Shipping Confirmed” alert Verify inside your order history first : Check whether you actually placed an order and whether a tracking number exists. Treat “free gift” prompts as promotions : If the next screen is a game, discount countdown, or deal page, assume it’s marketing. Tighten your notification settings : Consider disabling push notifications for shopping apps if they’re creating confusion. Keep records : Screenshots and timestamps help if you need to raise a complaint. Escalate when needed : If you believe you’ve been misled or financially harmed, you can lodge a complaint with the National Consumer Commission and follow its consumer alerts for guidance. Source: Bussiness Tech Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today SASSA Payment Dates SASSA Change Banking Details Link: Official Guide . Tax and Revenue How to Check if You Must Submit a SARS Tax Return . Tax and Revenue How to Book a SARS Appointment Online . Social Service How to Check UIF Claim Status Online . Local Government How to Replace a Lost South African ID . ADVERTISEMENT ADVERTISEMENT Related Articles SASSA Payment Dates SASSA Change Banking Details Link: Official Guide Use the official SASSA link to change your SRD banking details safely. Follow the steps and avoid . Tax and Revenue How to Check if You Must Submit a SARS Tax Return Use the official SARS checker and 2026 rules to see if you must file an ITR12. . Tax and Revenue How to Book a SARS Appointment Online Book a SARS branch, video or phone slot on eBooking, MobiApp, SMS or 0800 00 7277. . Social Service How to Check UIF Claim Status Online Use UIF Online, free USSD *134*843#, or call 0800 030 007 to track your claim. . Tags South Africa Gov Services South Africa Gov Services South Africa South Africa Bussiness Tech Bussiness Tech South Africa News South Africa News African Union African Union

Davido releases his 13-track sixth album, ORIADÉ, featuring Black Sherif, Aya Nakamura, Mayorkun, Leon Thomas and more. Davido is stepping into a new chapter of his career with ORIADÉ, a tightly packed album shaped by African pride, global collaborations and reflections on his rise. According to [The Sun], the Nigerian Afrobeats star released the 13-track project on July 31, 2026, describing it as the beginning of another phase in his 15-year journey through music. The album brings together several voices from Africa and beyond. Leon Thomas, Black Sherif, Aya Nakamura, Mayorkun, FOLA, Llona, NO11, JAZZWRLD and GL_Ceejay all appear across the project. At 13 songs, ORIADÉ is Davido’s shortest studio album. His previous five albums each contained 17 tracks, making the new release a clear break from the format he had followed for years. Davido first announced the album’s release date on June 29. The reveal arrived through a social-media video showing him dressed in regal Yoruba clothing while a traditional Yoruba eulogy played in the background. “The kingdom expands. Chosen long before the throne,” he wrote alongside the announcement, introducing the royal imagery that surrounds the album’s title and presentation. ORIADÉ is Davido’s sixth studio LP and his seventh major project since he entered Nigeria’s mainstream music scene more than a decade ago. The rollout began with “I Know Who I Be,” featuring South African duo JAZZWRLD and GL_Ceejay. The song looks back at Davido’s career, the distance he has travelled and the milestones that have defined his public life. Its video takes the story back to the childhood home where his musical ambitions began. Longtime collaborators and members of his team also appear, connecting his early years with the global career that followed. Davido continued the rollout with “Gimme Dat Ting,” a collaboration with NO11 that blends Afrobeats and Amapiano. The track centres on confidence, ambition, success and enjoying the rewards of years spent building a career. Continue Reading Full Article ENTERTAINMENT Davido Opens a New Era With Sixth Album ‘ORIADÉ’ By Witty Pascal Entertainment Editor Witty Pascal Home Comment Jul 31, 2026 Aug 5, 2026 3 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Davido is stepping into a new chapter of his career with ORIADÉ, a tightly packed album shaped by African pride, global collaborations and reflections on his rise. According to [The Sun], the Nigerian Afrobeats star released the 13-track project on July 31, 2026, describing it as the beginning of another phase in his 15-year journey through music. The album brings together several voices from Africa and beyond. Leon Thomas, Black Sherif, Aya Nakamura, Mayorkun, FOLA, Llona, NO11, JAZZWRLD and GL_Ceejay all appear across the project. At 13 songs, ORIADÉ is Davido’s shortest studio album. His previous five albums each contained 17 tracks, making the new release a clear break from the format he had followed for years. ADVERTISEMENT Davido first announced the album’s release date on June 29. The reveal arrived through a social-media video showing him dressed in regal Yoruba clothing while a traditional Yoruba eulogy played in the background. “The kingdom expands. Chosen long before the throne,” he wrote alongside the announcement, introducing the royal imagery that surrounds the album’s title and presentation. ORIADÉ is Davido’s sixth studio LP and his seventh major project since he entered Nigeria’s mainstream music scene more than a decade ago. ADVERTISEMENT The rollout began with “I Know Who I Be,” featuring South African duo JAZZWRLD and GL_Ceejay. The song looks back at Davido’s career, the distance he has travelled and the milestones that have defined his public life. Its video takes the story back to the childhood home where his musical ambitions began. Longtime collaborators and members of his team also appear, connecting his early years with the global career that followed. Davido continued the rollout with “Gimme Dat Ting,” a collaboration with NO11 that blends Afrobeats and Amapiano. The track centres on confidence, ambition, success and enjoying the rewards of years spent building a career. In an interview with American media platform Notion, Davido said the album was designed to offer something for different kinds of listeners. That variety is reflected in a guest list that moves between Afrobeats, Amapiano, Francophone pop and contemporary R&B. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs . Biography Eric Omondi Biography: Comedy, Activism and Public Life . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . ADVERTISEMENT The album is also expected to lead into a new world tour, with surprise appearances reportedly planned for some of the concerts. For Davido, ORIADÉ is more than another entry in an already extensive catalogue. It presents an artist looking back at where he started while confidently preparing for the next stage of his reign. ADVERTISEMENT Related Articles Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs Inside the Nigerian dancer’s rise from Ojo street shows to Afrobeats stages, music and global fame. . Biography Eric Omondi Biography: Comedy, Activism and Public Life How Eric Omondi rose through Churchill Show and became a prominent Kenyan activist. . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? The neuroscientist and educator became Eritrea’s first Miss World entrant and reached the Top 6 . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Tags Entertainment Entertainment Nigerian Entertainment Nigerian Entertainment Nigeria Nigeria Davido Davido

Osupa defends juju practice, says it supports success and not harm, sparking debate in Nigeria’s entertainment space. Fuji musician Saheed Osupa has defended his use of traditional spiritual practices, stating that his involvement in juju is aimed at personal success rather than causing harm. Speaking during a performance at the 52nd anniversary celebration of veteran actor Fatai Odua, Osupa addressed criticism surrounding his beliefs and practices. He rejected calls to distance himself from what some describe as fetish practices. According to the singer, his spiritual approach is a personal choice focused on progress. He maintained that his actions have never been linked to harmful conduct or wrongdoing. Osupa also explained that his daily routine includes paying homage to Ifa, which he described as a source of strength and guidance. He added that while many individuals engage in similar practices privately, he chooses to be open about his beliefs. The artist further advised his backup performers to adopt similar practices, suggesting that such routines could enhance performance and memory. His remarks have since generated reactions online, fueling ongoing discussions about tradition, spirituality, and public perception within Nigeria’s entertainment industry. Source: The Sun Nigeria Continue Reading Full Article ENTERTAINMENT Osupa Defends Juju Practice, Says It Drives Success By Witty Pascal Entertainment Editor Witty Pascal Home Comment Apr 8, 2026 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Fuji musician Saheed Osupa has defended his use of traditional spiritual practices, stating that his involvement in juju is aimed at personal success rather than causing harm. Speaking during a performance at the 52nd anniversary celebration of veteran actor Fatai Odua, Osupa addressed criticism surrounding his beliefs and practices. He rejected calls to distance himself from what some describe as fetish practices. ADVERTISEMENT According to the singer, his spiritual approach is a personal choice focused on progress. He maintained that his actions have never been linked to harmful conduct or wrongdoing. Osupa also explained that his daily routine includes paying homage to Ifa, which he described as a source of strength and guidance. He added that while many individuals engage in similar practices privately, he chooses to be open about his beliefs. ADVERTISEMENT The artist further advised his backup performers to adopt similar practices, suggesting that such routines could enhance performance and memory. His remarks have since generated reactions online, fueling ongoing discussions about tradition, spirituality, and public perception within Nigeria’s entertainment industry. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs . Biography Eric Omondi Biography: Comedy, Activism and Public Life . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . ADVERTISEMENT Source: The Sun Nigeria ADVERTISEMENT Related Articles Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs Inside the Nigerian dancer’s rise from Ojo street shows to Afrobeats stages, music and global fame. . Biography Eric Omondi Biography: Comedy, Activism and Public Life How Eric Omondi rose through Churchill Show and became a prominent Kenyan activist. . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? The neuroscientist and educator became Eritrea’s first Miss World entrant and reached the Top 6 . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Tags Entertainment Entertainment Nigerian Entertainment Nigerian Entertainment Nigeria Nigeria

Tshisekedi alleges US sanctions pushed Kagame to bring Joseph Kabila into the open, using his FRN leadership to portray Congo's war as an internal conflict The Congolese president alleges that mounting international pressure on Rwanda pushed Paul Kagame to bring Joseph Kabila into the open, giving the Rwanda-backed M23 rebellion a Congolese political face. His accusation follows US sanctions against the Rwandan army and Kabila himself, and the former president's new leadership role in the FRN. KINSHASA — October 27, 2026 — President Félix Tshisekedi has accused Rwandan President Paul Kagame of turning to former Congolese president Joseph Kabila as international sanctions intensified, arguing that Kigali wanted to recast its involvement in eastern Democratic Republic of the Congo as an internal Congolese political conflict. Addressing lawmakers from his ruling Union sacrée de la nation coalition at a meeting on October 24, Tshisekedi said Kabila had been operating behind the scenes before assuming a public leadership role in the Front for the Refoundation of the Nation (FRN), a political-military movement incorporating the leadership and structures of the AFC/M23 rebellion. The president's explanation was blunt: pressure from sanctions and diplomacy had, in his view, narrowed Kagame's options, prompting him to call on a Congolese ally who had remained out of the spotlight. The phrase “pull Kabila from his cave” captures the sharp metaphor of Tshisekedi's accusation. His actual French expressions were “tapi dans l'ombre” and “sortir du bois” —meaning “lurking in the shadows” and “coming out of hiding.” Tshisekedi Says Kabila Was Brought Forward to Reframe the War Tshisekedi alleged that international pressure had placed Rwanda's government in an increasingly difficult position, especially as foreign governments scrutinized its role in eastern Congo and the exploitation of Congolese mineral resources. According to the president, Kagame then asked his “supplétif”—a term meaning a proxy or auxiliary—to emerge from the shadows and assume the leadership of the campaign against Kinshasa. The purpose, Tshisekedi claimed, was to give the conflict a Congolese appearance and persuade outsiders to see it as a confrontation among Congolese political actors rather than a war involving Rwanda. In his speech, Tshisekedi said the move was designed to “faire passer cela comme un problème congolo-congolais” —to present it as a “Congolese-versus-Congolese problem.” Continue Reading Full Article WAR IN DR CONGO Tshisekedi: Sanctions Forced Kagame to Pull Kabila From His Cave By Serge Kitoko Tshibanda Political Analyst Serge Kitoko Tshibanda Home Comment Oct 27, 2026 Oct 27, 2026 8 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: The Congolese president alleges that mounting international pressure on Rwanda pushed Paul Kagame to bring Joseph Kabila into the open, giving the Rwanda-backed M23 rebellion a Congolese political face. His accusation follows US sanctions against the Rwandan army and Kabila himself, and the former president's new leadership role in the FRN. KINSHASA — October 27, 2026 — President Félix Tshisekedi has accused Rwandan President Paul Kagame of turning to former Congolese president Joseph Kabila as international sanctions intensified, arguing that Kigali wanted to recast its involvement in eastern Democratic Republic of the Congo as an internal Congolese political conflict. Addressing lawmakers from his ruling Union sacrée de la nation coalition at a meeting on October 24, Tshisekedi said Kabila had been operating behind the scenes before assuming a public leadership role in the Front for the Refoundation of the Nation (FRN), a political-military movement incorporating the leadership and structures of the AFC/M23 rebellion. The president's explanation was blunt: pressure from sanctions and diplomacy had, in his view, narrowed Kagame's options, prompting him to call on a Congolese ally who had remained out of the spotlight. The phrase “pull Kabila from his cave” captures the sharp metaphor of Tshisekedi's accusation. His actual French expressions were “tapi dans l'ombre” and “sortir du bois” —meaning “lurking in the shadows” and “coming out of hiding.” Tshisekedi Says Kabila Was Brought Forward to Reframe the War Tshisekedi alleged that international pressure had placed Rwanda's government in an increasingly difficult position, especially as foreign governments scrutinized its role in eastern Congo and the exploitation of Congolese mineral resources. According to the president, Kagame then asked his “supplétif”—a term meaning a proxy or auxiliary—to emerge from the shadows and assume the leadership of the campaign against Kinshasa. The purpose, Tshisekedi claimed, was to give the conflict a Congolese appearance and persuade outsiders to see it as a confrontation among Congolese political actors rather than a war involving Rwanda. In his speech, Tshisekedi said the move was designed to “faire passer cela comme un problème congolo-congolais” —to present it as a “Congolese-versus-Congolese problem.” ADVERTISEMENT This is the president's account of Kagame's alleged intentions. Although independent investigations and US sanctions establish substantial evidence of Rwandan military support for M23, they do not by themselves prove that Kagame personally instructed Kabila to take over the FRN because of sanctions. Kabila's October 12 Move Changed the Political Landscape The announcement that triggered Tshisekedi's latest remarks came on October 12, 2026, when Kabila assumed leadership of the FRN in rebel-held Goma. According to Radio Okapi , the new movement succeeded the AFC political coalition and placed prominent rebel figures in senior positions. Corneille Nangaa and Bertrand Bisimwa were appointed vice presidents, while Sultani Makenga was assigned a leading military role. The FRN openly set out to challenge Tshisekedi's government. Actualité.cd reported that its founding declaration envisaged opposing the government “by all means, including force.” Reuters reported that the former president had previously denied involvement with AFC/M23, and that his decision marked a more direct public role in the rebellion. Kabila's side has described its political project as a response to what it calls poor governance and authoritarianism under Tshisekedi. The new alliance therefore represents a publicly documented political shift, regardless of the disputed question of who directed it or why it happened at this particular moment. The Sanctions That Give Tshisekedi's Argument Its Context The president's claim comes against a documented series of US punitive measures concerning the eastern Congo conflict. On March 2, 2026, the US Treasury Department sanctioned the Rwanda Defence Force and four senior military officials . Treasury stated that Rwandan forces were supporting, training and fighting alongside M23, and that the movement's territorial advances—including the capture of Goma and Bukavu—would not have been possible without such assistance. Then, on April 30, the US Treasury imposed sanctions directly on Joseph Kabila , accusing the former president of supporting M23 and the AFC coalition. The announcement said the armed movements were destabilizing eastern DRC and seeking to remove the government in Kinshasa. ADVERTISEMENT These actions matter because they put formal US government findings and financial restrictions behind allegations of support for the insurgency. They also show that Washington's measures targeted both the Rwandan military and Kabila months before he publicly assumed the leadership of the FRN. But sanctions alone do not establish Tshisekedi's broader economic argument that Rwanda's economy was being suffocated or that Kagame personally selected Kabila as a response. Those remain claims made by the Congolese president rather than independently measured conclusions. Rwanda rejected the March sanctions as unfair and one-sided. In its official March 2 statement , Kigali accused Kinshasa of failing to meet its commitments concerning the FDLR armed group and maintained that Rwanda was committed to the peace process. UN Findings Add Weight to Scrutiny of Rwanda's Role Tshisekedi's political accusation is unfolding alongside extensive international documentation of the conflict. The UN Group of Experts' 2025 report described joint operations by AFC/M23 and Rwanda Defence Force personnel and their capture of strategic areas in North and South Kivu. Investigators reported that Rwandan troops were involved in combat and provided security for AFC/M23 leadership. More recently, reporting on the 2026 UN Group of Experts findings described discussions of an internal restructuring of AFC/M23, including a potential leadership role for Kabila. when the FRN was announced. Tshisekedi Says Intelligence Informed His Earlier Suspicions In the same address, Tshisekedi insisted that his suspicions concerning Kabila did not originate with the October announcement. He said Congolese intelligence services and information shared by partner countries had informed his view of the former president's involvement. He also pointed to changes in Kabila's travel habits, including what Tshisekedi described as an unannounced departure from the country after earlier trips had routinely been communicated to the presidency. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Policy and Reforms US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . War in Eastern DRC Muyaya: Congo's War Has Nothing to Do With the Constitution . Justice & Crime Trump Moves to Remove Rwanda and South Africa From AGOA . Justice & Crime Rwanda Accused of Deporting Congolese Civilians in South Kivu . Diplomacy Tshisekedi, Putin Seal Three DRC- Russia Cooperation Deals . ADVERTISEMENT The president said he was therefore not surprised when Kabila publicly emerged as leader of the FRN. A Sharp Attack on Kabila's Legacy Tshisekedi went beyond the question of strategy to criticize his predecessor's political judgment. He questioned how someone who had governed the DRC for 18 years, from 2001 to 2019, could align with an armed movement opposing the institutions of the same country. In one of the speech's strongest passages, Tshisekedi said Kabila's conduct was, “in my opinion,” evidence that he had never loved the country or its people. He contrasted armed rebellion with what he described as his own political tradition of nonviolent resistance during years in opposition. Peace Talks Continue Under Growing Political Pressure The confrontation is taking place while diplomatic efforts seek an end to fighting in eastern Congo. The Washington peace framework requires commitments from both the DRC and Rwanda, including action against the FDLR and the withdrawal of Rwandan forces and equipment from Congolese territory. The United States reiterated those expectations when it sanctioned commanders from both FDLR and M23 in June 2026 . Meanwhile, the Doha process remains a channel for negotiations involving the Congolese government and the rebel movement. Analysts have raised concerns that a new political-military structure under Kabila could complicate negotiations, as ACLED explained after the FRN announcement . In his address to governing-coalition lawmakers, Tshisekedi said he wanted “real peace”: an end to violence, the destabilization of eastern Congo and the exploitation of its resources, along with security for civilian populations. He also called for political unity and wider public consultation as the country considers a national dialogue. ADVERTISEMENT Related Articles Policy and Reforms US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty Will Democrats support Kagame after the 2026 midterms? Blinken's statements, Biden's Rwanda policy . War in Eastern DRC Muyaya: Congo's War Has Nothing to Do With the Constitution In London, the DRC government spokesperson rejects constitutional politics as a cause of the eastern . Justice & Crime Trump Moves to Remove Rwanda and South Africa From AGOA Trump plans to remove Rwanda and South Africa from AGOA trade benefits starting January 1, 2027 . Justice & Crime Rwanda Accused of Deporting Congolese Civilians in South Kivu South Kivu accuses Rwandan forces and M23 of forcibly displacing civilians in Katogota, . Tags DRC Conflict & Security DRC Conflict & Security DR.Congo DR.Congo Rwanda Rwanda Felix Tshisekedi Felix Tshisekedi

Adina says church ebibinwom and Ghanaian music icons influenced her love for highlife and shaped her musical path. Ghanaian singer Adina Thembi has revealed that her passion for highlife music was shaped by early exposure to ebibinwom , a traditional form of church music. Speaking at Joy FM’s eighth Showbiz Roundtable , Adina said her musical journey began within her family environment. She explained that her grandmother regularly performed ebibinwom in the Methodist Church , a sound that was later embraced by her mother and became a strong influence in her upbringing. According to the singer, this early connection to traditional sounds naturally drew her toward highlife, a genre deeply rooted in Ghanaian culture. Adina also highlighted the impact of several established musicians on her artistic direction. She identified highlife icon Amandzeba as a key influence, noting that his music inspired her to blend traditional highlife elements with modern sounds to create a distinct style. In addition, she cited Akosua Agyepong, Princess Cynthia and A.B. Crentsil among the artistes who contributed to shaping her musical identity. The remarks were made during a panel discussion focused on the theme “Preserving highlife as Ghana’s music heritage,” part of activities marking Ghana Month. The programme was broadcast on Joy 99.7 FM, JoyPrime and JoyNews. The event featured a range of industry stakeholders, including ethnomusicologist Professor John Collins, veteran producer Jonas Bibi Hammond and audio engineer Kofi Boachie-Ansah. Delivering the keynote address, Ghana Tourism Authority CEO Maame Efua Houadjeto emphasized the importance of strengthening the cultural and economic value of highlife while ensuring its continuity across generations. UNESCO’s National Professional Officer for Culture, Carl Ampah, also underscored the significance of highlife’s recognition as part of Ghana’s intangible cultural heritage. The roundtable attracted a live studio audience of musicians, producers and creatives, reflecting growing efforts to sustain and promote Ghana’s highlife tradition. Continue Reading Full Article ENTERTAINMENT Adina Credits Church Roots for Her Love of Highlife By Witty Pascal Entertainment Editor Witty Pascal Home Comment Mar 17, 2026 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Ghanaian singer Adina Thembi has revealed that her passion for highlife music was shaped by early exposure to ebibinwom , a traditional form of church music. Speaking at Joy FM’s eighth Showbiz Roundtable , Adina said her musical journey began within her family environment. She explained that her grandmother regularly performed ebibinwom in the Methodist Church , a sound that was later embraced by her mother and became a strong influence in her upbringing. According to the singer, this early connection to traditional sounds naturally drew her toward highlife, a genre deeply rooted in Ghanaian culture. ADVERTISEMENT Adina also highlighted the impact of several established musicians on her artistic direction. She identified highlife icon Amandzeba as a key influence, noting that his music inspired her to blend traditional highlife elements with modern sounds to create a distinct style. In addition, she cited Akosua Agyepong, Princess Cynthia and A.B. Crentsil among the artistes who contributed to shaping her musical identity. The remarks were made during a panel discussion focused on the theme “Preserving highlife as Ghana’s music heritage,” part of activities marking Ghana Month. The programme was broadcast on Joy 99.7 FM, JoyPrime and JoyNews. ADVERTISEMENT The event featured a range of industry stakeholders, including ethnomusicologist Professor John Collins, veteran producer Jonas Bibi Hammond and audio engineer Kofi Boachie-Ansah. Delivering the keynote address, Ghana Tourism Authority CEO Maame Efua Houadjeto emphasized the importance of strengthening the cultural and economic value of highlife while ensuring its continuity across generations. UNESCO’s National Professional Officer for Culture, Carl Ampah, also underscored the significance of highlife’s recognition as part of Ghana’s intangible cultural heritage. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs . Biography Eric Omondi Biography: Comedy, Activism and Public Life . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars . Entertainment FOLA Leads 2026 Headies Nominations Ahead of Toronto . ADVERTISEMENT The roundtable attracted a live studio audience of musicians, producers and creatives, reflecting growing efforts to sustain and promote Ghana’s highlife tradition. Source: Myjoyonline.com ADVERTISEMENT Related Articles Biography Poco Lee Biography: Age, Real Name, Dance Career and Songs Inside the Nigerian dancer’s rise from Ojo street shows to Afrobeats stages, music and global fame. . Biography Eric Omondi Biography: Comedy, Activism and Public Life How Eric Omondi rose through Churchill Show and became a prominent Kenyan activist. . Biography Who Is Snit Habteab, Eritrea’s Miss World Trailblazer? The neuroscientist and educator became Eritrea’s first Miss World entrant and reached the Top 6 . Entertainment Poco Lee UK Case Sparks Consent Debate Among Nigerian Stars The dancer faces five sexual offence charges and returns to court on September 15. . Tags Entertainment Entertainment Ghana Ghana

In a move that has ignited widespread debate, Kenya's President William Ruto has officially enacted a law introducing a 1.5% housing levy on monthly employee earnings. This development aims to fund the construction of affordable housing, targeting the nation's less affluent populace. The legislation, a cornerstone of President Ruto's 2022 electoral promises, seeks to bridge the housing gap by facilitating the construction of 200,000 affordable homes annually, potentially generating over 600,000 jobs. The initiative is part of a broader strategy to invigorate public services funding while diminishing the fiscal deficit through enhanced tax revenue. However, the levy has not been met without contention. A significant portion of the Kenyan workforce, alongside the opposition, has expressed strong disapproval, citing the increasing tax pressures. The outcry follows a sequence of fiscal adjustments, including a doubled fuel sales tax and an impending rise in health insurance levies. Originally obstructed by legal challenges due to the absence of a proper legislative framework, the levy's enforcement was temporarily halted. Nonetheless, following recent amendments and parliamentary approval—despite opposition resistance—the law is set to expand its reach beyond salaried employees to include informal sector workers, raising questions about practical implementation. The establishment of the Affordable Housing Fund under the new law marks a structured approach to managing the levy's proceeds. Notably, the government has assured that the deductions will not apply retroactivel y. As the law takes effect, the opposition is gearing up for a legal battle, arguing that the government has sidelined public concerns over escalating taxation. The unfolding scenario underscores the delicate balance between national development objectives and the economic well-being of the citizenry. Continue Reading Full Article By Author Name Author Name Home Comment Mar 20, 2024 May 15, 2026 2 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Kenya's President William Ruto has officially enacted a law introducing a 1.5% housing levy on monthly employee earnings In a move that has ignited widespread debate, Kenya's President William Ruto has officially enacted a law introducing a 1.5% housing levy on monthly employee earnings. This development aims to fund the construction of affordable housing, targeting the nation's less affluent populace. The legislation, a cornerstone of President Ruto's 2022 electoral promises, seeks to bridge the housing gap by facilitating the construction of 200,000 affordable homes annually, potentially generating over 600,000 jobs. The initiative is part of a broader strategy to invigorate public services funding while diminishing the fiscal deficit through enhanced tax revenue. ADVERTISEMENT However, the levy has not been met without contention. A significant portion of the Kenyan workforce, alongside the opposition, has expressed strong disapproval, citing the increasing tax pressures. The outcry follows a sequence of fiscal adjustments, including a doubled fuel sales tax and an impending rise in health insurance levies. Originally obstructed by legal challenges due to the absence of a proper legislative framework, the levy's enforcement was temporarily halted. Nonetheless, following recent amendments and parliamentary approval—despite opposition resistance—the law is set to expand its reach beyond salaried employees to include informal sector workers, raising questions about practical implementation. ADVERTISEMENT The establishment of the Affordable Housing Fund under the new law marks a structured approach to managing the levy's proceeds. Notably, the government has assured that the deductions will not apply retroactivel y. As the law takes effect, the opposition is gearing up for a legal battle, arguing that the government has sidelined public concerns over escalating taxation. The unfolding scenario underscores the delicate balance between national development objectives and the economic well-being of the citizenry. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today ADVERTISEMENT ADVERTISEMENT Related Articles Tags

Explore Suri donga stick fighting, a dangerous ritual combat tradition tied to masculinity, courtship, and social change. In southwest Ethiopia, among the Suri people , a young man once entered the donga arena with more than a stick in his hands. He carried his reputation, his courage, his pain threshold, and sometimes his hope of being noticed by women watching from the edge of the crowd. Donga is often described from the outside as stick fighting. That is true, but incomplete. In the strongest academic accounts, it appears as a public ritual of masculinity, danger, discipline, and social control. It could leave scars. It could win admiration. It could also reveal how violence, when carefully governed by elders, once had a place within Suri social order. Anthropologist Jon Abbink’s research on Suri violence, cited in Debra L. Martin’s study of masculinity in small-scale societies, describes Suri stick fighting as “highly ritualized” (Martin, 2021, p. S173). That phrase matters. Donga was not simply chaos with weapons. It was dangerous, but it was also structured. Who Are the Suri? The Suri , sometimes called Surma in older or outside sources, are an agro-pastoral people of southwest Ethiopia, near the borderlands linking Ethiopia and South Sudan. Their world is often discussed alongside the wider Omo region, though the UNESCO Lower Valley of the Omo listing is mainly about prehistoric and paleoanthropological importance, not donga itself. Language is also important. Meaghan E. Smith’s linguistic thesis describes Suri as a “Southeastern Surmic Nilo-Saharan language” of “southwestern Ethiopia” (Smith, 2018, abstract). Smith explains that Suri is used for the Chai and Tirmaga dialects, while Mursi is closely related but treated separately (Smith, 2018, pp. 2–4). This helps avoid a common mistake: treating Suri, Surma, Mursi, and other Omo-area groups as if their practices are all identical. What Is Donga? Donga is a Suri stick-fighting tradition associated mainly with young, unmarried men. Fighters used long sticks and met in public contests watched by the wider community. The fights tested courage, endurance, skill, and self-control. In Martin’s summary of Abbink’s work, Suri stick fighting carried strong symbolism, from the stick itself to preparations such as body painting and drinking blood (Martin, 2021, p. S173). The fight was not only about defeating another man. It was about showing that a young man could face danger without collapsing under it. Continue Reading Full Article AFRICAN CULTURE Inside the Dangerous World of Suri Donga Stick Fighting By Neema Asha Mwakalinga Travel & Culture Expert Neema Asha Mwakalinga Home Comment Jul 3, 2026 Jul 3, 2026 10 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: In southwest Ethiopia, among the Suri people , a young man once entered the donga arena with more than a stick in his hands. He carried his reputation, his courage, his pain threshold, and sometimes his hope of being noticed by women watching from the edge of the crowd. Donga is often described from the outside as stick fighting. That is true, but incomplete. In the strongest academic accounts, it appears as a public ritual of masculinity, danger, discipline, and social control. It could leave scars. It could win admiration. It could also reveal how violence, when carefully governed by elders, once had a place within Suri social order. A stretched earlobe ornaments and a patterned cloth reflects the community's rich cultural identity and pastoral way of life among the Suri Anthropologist Jon Abbink’s research on Suri violence, cited in Debra L. Martin’s study of masculinity in small-scale societies, describes Suri stick fighting as “highly ritualized” (Martin, 2021, p. S173). That phrase matters. Donga was not simply chaos with weapons. It was dangerous, but it was also structured. Who Are the Suri? The Suri , sometimes called Surma in older or outside sources, are an agro-pastoral people of southwest Ethiopia, near the borderlands linking Ethiopia and South Sudan. Their world is often discussed alongside the wider Omo region, though the UNESCO Lower Valley of the Omo listing is mainly about prehistoric and paleoanthropological importance, not donga itself. Language is also important. Meaghan E. Smith’s linguistic thesis describes Suri as a “Southeastern Surmic Nilo-Saharan language” of “southwestern Ethiopia” (Smith, 2018, abstract). Smith explains that Suri is used for the Chai and Tirmaga dialects, while Mursi is closely related but treated separately (Smith, 2018, pp. 2–4). This helps avoid a common mistake: treating Suri, Surma, Mursi, and other Omo-area groups as if their practices are all identical. What Is Donga? Donga is a Suri stick-fighting tradition associated mainly with young, unmarried men. Fighters used long sticks and met in public contests watched by the wider community. The fights tested courage, endurance, skill, and self-control. Success in these public contests can enhance a man's reputation, making him more attractive to potential marriage partners, though winning a fight alone does not guarantee a wife. In Martin’s summary of Abbink’s work, Suri stick fighting carried strong symbolism, from the stick itself to preparations such as body painting and drinking blood (Martin, 2021, p. S173). The fight was not only about defeating another man. It was about showing that a young man could face danger without collapsing under it. ADVERTISEMENT The danger was real. Scars mattered. Pain mattered. A fighter’s body became part of his public story. Martin notes that scars from stick fighting were linked to masculinity and virility (Martin, 2021, p. S173). In that sense, donga was not a casual sport. It was a public test of manhood. Further Reading Debra L. Martin (2021) Violence and Masculinity in Small-Scale Societies Relevant pages: S169–S181, especially p. S173 Rules, Elders, and Control Suri elders One of the most important details in the research is that donga was controlled. Martin writes that the fights were “managed by elders” (Martin, 2021, p. S173). Elders supervised the contests, limited fighting time, and helped prevent the violence from going beyond accepted boundaries. This is where outside descriptions often fail. A viewer may see sticks, blood, and bodies in motion and assume the event is simply brutal. But the anthropological evidence points to something more complicated. Donga was a controlled space where young men could perform aggression under public rules. According to Martin’s reading of Abbink, there were strict codes of conduct, including a rule against killing an opponent ( Martin, 2021, p. S173 ). Winners were not praised only for force. Courage and skill mattered. The public nature of the fight allowed elders and spectators to judge not just who struck hardest, but who carried himself like a man. Masculinity and Courtship Donga also shaped social reputation. In Suri society, as described by Abbink through Martin, stick fighting gave young men a way to demonstrate strength, resistance to pain, and fighting ability in front of potential wives (Martin, 2021, p. S173). Bloody game of the Suri Donga warrior fight a symbol of courage Donga warrior fight a symbol of courage Donga warrior fight a symbol of courage Donga warrior fight a symbol of courage That does not mean marriage was decided only in the donga arena. The sources do not support such a simple claim. But donga could help a man become visible. In a polygynous society, public proof of courage had social value. ADVERTISEMENT This is where the practice becomes both intimate and political. A fight between two young men was also a message to the community. It said: I can endure. I can strike. I can be watched. I can be judged. The Dangerous Shift: Guns and “Real Violence” The most troubling part of the donga story is what happened when older systems of controlled violence came under pressure. Researchers note that guns transformed traditional practices such as ritual fighting, cattle raiding, and revenge, making conflicts far more deadly and unpredictable than the earlier, rule-bound cultural system. Martin explains that the arrival of guns in the 1980s changed the balance. Ritualized fighting, raiding, and revenge practices had once existed within a cultural system of rules and expectations. But guns altered the scale and unpredictability of violence. Martin says violence became “real violence” in this period (Martin, 2021, p. S173). That does not mean Suri society was peaceful before guns. The sources do not claim that. But they do suggest that donga belonged to a world where elders, ritual, reputation, and public rules still shaped male aggression. Firearms made violence faster, deadlier, and harder to contain. Abbink’s article on violent practice among the Suri and his later work on Suri, Dizi, and the state place Suri conflict within wider pressures: intergroup tension, state expansion, insecurity, and changing political realities. Further Reading Jon Abbink (1998) Ritual and Political Forms of Violent Practice among the Suri of Southern Ethiopia Relevant pages: 271–295 Modern Pressures Around Surma Wereda A government risk profile gives another view of the modern setting. Ethiopia’s National Disaster Risk Management Commission lists conflict, drought, livestock disease, crop disease, and human disease among major risks in Surma Wereda. The official profile also names causes such as resource competition and “Theft of cattle” (NDRMC, 2020, pp. 7–9). This matters because donga should not be blamed for every form of violence in the region. The modern security picture is bigger than ritual combat. It includes cattle, land, water, borders, disease, state policy, and changing livelihoods. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Economic Reports Ethiopia Rebases GDP: Economy Now Measured at $210.7 Billion . Biography Timnit Gebru Biography: AI Ethics, DAIR and Right Livelihood . Sports Trends Guye Adola and Tigst Assefa Win Berlin . Conflict Zones Tigray Forces Seize Airports as Fighting Spreads . International Relations Seven Ethiopian Armed Groups Form Anti-Government Alliance . ADVERTISEMENT The Surma Woreda Disaster Risk Profile also records livelihood activities such as livestock work, cultivation, honey production, mining, harvesting, and land preparation (NDRMC, 2020, pp. 38–47). These details help ground the story in daily life. The Suri are not only fighters in dramatic photographs. They are people navigating work, food, animals, land, danger, and change. What Outsiders Often Get Wrong The first mistake is to romanticize donga as a beautiful ancient spectacle. The second is to dismiss it as savage violence. Both flatten the truth. While donga is a respected test of courage, endurance, and skill, it can result in severe wounds, broken bones, and, on rare occasions, fatal injuries. Donga was dangerous. It could injure. It marked bodies. But the best evidence also shows rules, meanings, and social supervision. It was a way of turning young male aggression into public performance. Another mistake is to use donga as shorthand for all Suri identity. The Suri are not reducible to stick fighting, lip plates, body painting, or any single visible practice. Their culture includes language, pastoral life, cultivation, social institutions, changing religious influences, conflict pressures, and modern political challenges. Donga is a powerful subject because it is dramatic, but the people behind it are not props in a story about danger. They are communities living through deep social change. Donga stick fighting sits at the edge of danger and meaning. It is not harmless. It is not random. It is a ritualized form of combat through which young Suri men could show courage, endure pain, gain reputation, and be judged by their community. Its story also reveals something larger: violence changes when the world around it changes. Under elder control, donga had rules. With guns, state pressure, resource competition, and regional insecurity, violence became harder to contain. To understand donga, the question is not only why young men fought. It is who watched, who judged, who controlled the fight, and what happened when those controls began to weaken. Reference: Debra L. Martin, “Violence and Masculinity in Small-Scale Societies” Jon Abbink, “ Ritual and Political Forms of Violent Practice among the Suri ” ADVERTISEMENT Related Articles Economic Reports Ethiopia Rebases GDP: Economy Now Measured at $210.7 Billion The revision adds about 59% to measured output, but officials say the economy did not grow overnight . Biography Timnit Gebru Biography: AI Ethics, DAIR and Right Livelihood Meet Timnit Gebru, the Ethiopian-born AI researcher honored with the 2026 Right Livelihood Award. . Sports Trends Guye Adola and Tigst Assefa Win Berlin Ethiopia swept the elite titles as Assefa ran 2:11:04 and Adola claimed his second Berlin win. . Conflict Zones Tigray Forces Seize Airports as Fighting Spreads Ethiopian Airlines halted flights to Mekelle, Axum and Shire amid renewed battles. . Tags Ethiopia Ethiopia The Suri People The Suri People African Culture African Culture

Sway DaSafo biography: real name, Ghanaian roots, wife, four children, MOBO win, albums, lymphoma recovery, death at 44 and lasting UK rap legacy. Sway DaSafo , born Derek Andrew Safo, was a British rapper, producer and creative executive of Ghanaian heritage whose independent rise became one of the defining stories of mid-2000s UK hip-hop. He died at his home in Ghana on 17 September 2026 at age 44, according to a close friend and a public tribute from the MOBO Awards. His career stretched from homemade mixtapes and a landmark unsigned MOBO victory to chart hits, collaborations, artist development and a later life increasingly connected to Ghana. His cause of death had not been publicly announced as of 18 September 2026. Who was Sway DaSafo? Sway DaSafo was British-Ghanaian rapper and producer Derek Andrew Safo, best known for winning MOBO Best Hip-Hop Act while still unsigned, releasing the acclaimed This Is My Demo , scoring UK hits including “Still Speedin’” and “Level Up,” and helping develop younger artists before his death in Ghana at 44. Sway DaSafo’s Death in Ghana at 44 The Guardian confirmed Sway’s death through a close friend, who said the rapper died at his home in Ghana. The MOBO Awards also publicly mourned him and recalled the importance of his 2005 victory. At the time this biography was updated, no official cause of death had been announced. That distinction matters because Sway had previously spoken openly about a serious health chapter. In 2010 he was diagnosed with Hodgkin lymphoma, underwent treatment and later said he had gone into remission. His past cancer diagnosis should not be presented as the cause of his 2026 death without an official medical or family statement linking the two. His death renewed attention to a career connecting North London, independent British rap and Ghanaian identity. Formative Life: Derek Andrew Safo, Hornsey and Ghana Sway’s full name was Derek Andrew Safo. He was born on 5 September 1982 in London to Ghanaian parents and grew up largely in Hornsey, North London. A detailed early career profile from BritishHipHop.co.uk records that music first pulled him toward production: as a schoolboy he experimented with equipment, made beats and rewrote songs before performance gradually became as important as producing. He spent part of his childhood in Ghana, and that connection became central to how he understood himself later. In a 2020 interview about his British and Ghanaian roots, he explained that moving between the two cultures shaped his relationship with language and writing. The experience helped give his rap a perspective that was distinctly London-based without cutting him off from Ghana. Continue Reading Full Article BIOGRAPHY Sway DaSafo Biography: Real Name, Wife, Children, Music & Legacy By Truce Elikia Art & Culture Journalist Truce Elikia Home Comment Sep 18, 2026 Sep 18, 2026 12 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Sway DaSafo , born Derek Andrew Safo, was a British rapper, producer and creative executive of Ghanaian heritage whose independent rise became one of the defining stories of mid-2000s UK hip-hop. He died at his home in Ghana on 17 September 2026 at age 44, according to a close friend and a public tribute from the MOBO Awards. His career stretched from homemade mixtapes and a landmark unsigned MOBO victory to chart hits, collaborations, artist development and a later life increasingly connected to Ghana. His cause of death had not been publicly announced as of 18 September 2026. Who was Sway DaSafo? Sway DaSafo was British-Ghanaian rapper and producer Derek Andrew Safo, best known for winning MOBO Best Hip-Hop Act while still unsigned, releasing the acclaimed This Is My Demo , scoring UK hits including “Still Speedin’” and “Level Up,” and helping develop younger artists before his death in Ghana at 44. Sway DaSafo’s Death in Ghana at 44 The Guardian confirmed Sway’s death through a close friend, who said the rapper died at his home in Ghana. The MOBO Awards also publicly mourned him and recalled the importance of his 2005 victory. At the time this biography was updated, no official cause of death had been announced. That distinction matters because Sway had previously spoken openly about a serious health chapter. In 2010 he was diagnosed with Hodgkin lymphoma, underwent treatment and later said he had gone into remission. His past cancer diagnosis should not be presented as the cause of his 2026 death without an official medical or family statement linking the two. His death renewed attention to a career connecting North London, independent British rap and Ghanaian identity. Formative Life: Derek Andrew Safo, Hornsey and Ghana Sway’s full name was Derek Andrew Safo. He was born on 5 September 1982 in London to Ghanaian parents and grew up largely in Hornsey, North London. A detailed early career profile from BritishHipHop.co.uk records that music first pulled him toward production: as a schoolboy he experimented with equipment, made beats and rewrote songs before performance gradually became as important as producing. He spent part of his childhood in Ghana, and that connection became central to how he understood himself later. In a 2020 interview about his British and Ghanaian roots, he explained that moving between the two cultures shaped his relationship with language and writing. The experience helped give his rap a perspective that was distinctly London-based without cutting him off from Ghana. That dual perspective makes him relevant beside XTRAfrica’s wider Ghana music collection , where hip-hop, hiplife, highlife, drill and Afropop continually overlap. It also helps explain why Sway could later collaborate naturally with Ghanaian artists while remaining rooted in British rap. Before his solo breakthrough, Sway performed with Phynix Crew and the group One. He then began releasing his own material through Dcypha Productions, the independent platform that allowed him to build an audience without waiting for a major label to define his sound or career. Breakthrough: The Independent MOBO Win That Changed His Career Sway’s decisive early moment came at the 2005 MOBO Awards. The MOBO Organisation’s official history records him as the Best Hip-Hop Act winner after his This Is My Promo mixtapes had built underground momentum. He was still independent and had not yet released his debut album, making the victory unusually significant in an era when British rappers competed for attention against much larger American stars. ADVERTISEMENT That instinct for independence later became familiar across African music scenes too. Sway’s story sits naturally alongside XTRAfrica’s coverage of artists such as Yaa Pono , another rapper whose career was shaped by control over identity, local language and the refusal to let outside expectations define the work. Achievements and Craft: This Is My Demo and a Bigger Stage Sway released This Is My Demo in 2006 through Dcypha Productions. The album mixed British hip-hop, grime-adjacent energy, humour, social observation and self-aware storytelling. Songs such as “Little Derek,” “Up Your Speed,” “Flo Fashion” and “Products” helped move him from underground recognition into the wider UK music conversation. The album was shortlisted for the Mercury Prize, and Sway’s profile expanded without erasing the independent identity that had made him interesting in the first place. Rather than imitate American rap wholesale, he wrote about British life, public transport, money, ambition, downloads, relationships and the awkwardness of trying to fit into genre boxes that never seemed completely comfortable. He later partnered with Akon’s Konvict Music network and released The Signature LP in 2008. That period widened his international connections, including work with Akon and links to artists from both the UK and US. It also strengthened his bridge to West Africa, especially Ghana. Sway’s Ghana connection can be placed beside XTRAfrica’s current coverage of Sarkodie’s commitment to rapping in Twi . Sway and Sarkodie collaborated during a period when Ghanaian rap was becoming more internationally visible, and Sway frequently used his position in Britain to keep African artists inside his creative network rather than treating Ghana as only a background detail. Heritage and Identity: Ghana, Britain and a Cross-Border Rap Career After a quieter period, Sway returned to the UK charts with some of his most commercially successful records. “Still Speedin’” became a Top 20 single, while “Level Up” gave him his highest singles-chart position. Official Charts records “Level Up” peaking at No. 8 in April 2012. His collaborations were equally broad. He worked with or appeared alongside artists including Akon, Kano, Lupe Fiasco, Riz Ahmed and Ed Sheeran. Apple Music’s current Sway DaSafo artist page also preserves a catalogue that stretches from his early albums to later releases and collaborations. Within XTRAfrica’s hip-hop collection , Sway’s catalogue belongs to an older generation of British-African rap that helped make cross-border identity feel normal rather than exceptional. Personal Journey: Hodgkin Lymphoma, Recovery and Family One of the most personal parts of Sway’s story emerged years after his diagnosis. In a first-person account for Lymphoma Action , he said he was diagnosed with Hodgkin lymphoma in 2010 after initially dealing with exhaustion, dizziness and a growing lump in his neck. He underwent ABVD chemotherapy followed by radiotherapy and said he went into remission toward the end of that year. ADVERTISEMENT Sway kept the diagnosis private while he was undergoing treatment. Later, he turned the experience into music, particularly “The Sea,” a track on his 2015 album Deliverance . He described illness as something that forced him to slow down, reconsider the pace of his life and spend more time thinking about family and purpose. Family Life: Helen, Four Children and Privacy Sway generally kept his family life away from celebrity coverage. The Guardian reported that he married Helen in 2013 and that they had four children. More recent reporting also noted that Sway had described himself publicly as a single father, meaning his exact relationship status at the time of his death should not be inferred from the earlier marriage alone. For privacy, this biography does not name his children. What is well supported is that he was the father of four two sons and two daughters and that fatherhood had become an increasingly visible part of how friends and collaborators described him in later life. Legacy and Impact: Producer, Mentor and Creative Executive Sway’s legacy also sits behind the microphone. He built Dcypha Productions and later New Reign Productions, using both as platforms for recording, production and artist development. A Music In Africa profile describes him not only as a rapper but as an executive producer and entrepreneur, reflecting how much of his work happened outside the usual artist-only frame. Among the most frequently cited examples is KSI. Sway played an important role in the YouTuber-turned-musician’s early recording career and worked with him before KSI became a major commercial act. That talent-development instinct helps explain why tributes after Sway’s death repeatedly described him as someone who opened doors for younger creatives. His influence also belongs in the broader story of Ghana-linked rap. XTRAfrica profiles of artists such as Black Sherif show how later generations have carried African rap into international spaces through very different sounds and business models. Sway’s contribution came earlier: he demonstrated that a British rapper of Ghanaian heritage could keep African identity visible while operating inside the UK mainstream. Looking Ahead Became a Legacy Question Sway spent his later years balancing recording with production, mentorship and creative-business work. The final measure of that chapter is no longer what he might release next, but how the independent model he built and the artists he encouraged continue to carry his influence. Sway DaSafo Career Timeline Year Event Significance 2002 Early professional work with groups and production Established his foundation in London’s underground rap scene 2004–2005 Released This Is My Promo mixtapes Built an independent following before a major-label deal 2005 Won MOBO Best Hip-Hop Act Became a landmark unsigned winner in British rap 2006 Released This Is My Demo Debut earned a Mercury Prize nomination and wider critical recognition 2008 Released The Signature LP Expanded his international network and Konvict Music connection 2010 Diagnosed with Hodgkin lymphoma Entered treatment and later remission, reshaping his life and music 2012 “Level Up” peaked at No. 8 in the UK Delivered his highest-charting single 2015 Released Deliverance Turned recovery and personal change into a major body of work 2020 Released I Want to Be with Jaguar Skills Marked a collaborative return under the Brillionaires project 2026 Died in Ghana at age 44 Brought renewed attention to his independent and diaspora legacy Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Job & Opportunity Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Tech Trends Mahama Backs TraffiTech, Calls for Speed-Camera Warning Signs . Transport and Logistics Ghana Transport Shutdown Claim: What Is Confirmed? . Community Safety TraffiTech-GH Motorist Guide: Tickets, Payments and Appeals . Business & Investment Ghana textile policy: from investment targets to factory work . ADVERTISEMENT Sway DaSafo FAQs What was Sway DaSafo’s real name? His real name was Derek Andrew Safo. He performed as Sway and later returned to the fuller stage name Sway DaSafo. How old was Sway DaSafo when he died? Sway was born on 5 September 1982 and died on 17 September 2026, making him 44 years old. Where was Sway DaSafo from? He was born and raised largely in North London and was British with Ghanaian family roots. He also spent part of his childhood in Ghana and remained closely connected to the country throughout his career. What made Sway DaSafo famous? His independent mixtapes built his early reputation, but his 2005 MOBO Best Hip-Hop Act victory and the 2006 album This Is My Demo pushed him into wider recognition. What were Sway DaSafo’s biggest songs? His best-known records include “Little Derek,” “Still Speedin’,” “Level Up,” “Silver & Gold,” “Up Your Speed” and “Black Stars.” Did Sway DaSafo win a MOBO Award? Yes. He won Best Hip-Hop Act at the 2005 MOBO Awards while still independent and before releasing his debut album. Was Sway DaSafo married? He married Helen in 2013, but his relationship status at the time of his death was not publicly confirmed. Later reporting noted that he had described himself as a single father. How many children did Sway DaSafo have? He was the father of four children two sons and two daughters. Their names are omitted here for privacy. Did Sway DaSafo have cancer? Yes. Sway said he was diagnosed with Hodgkin lymphoma in 2010, underwent chemotherapy and radiotherapy, and went into remission. No official source had linked that earlier diagnosis to his death as of 18 September 2026. What was Sway DaSafo’s cause of death? No official cause of death had been announced as of 18 September 2026. Reports confirming his death should not be used to infer a medical cause that his family or representatives have not disclosed. ADVERTISEMENT Related Articles Job & Opportunity Ghana–Canada Seafarer Deal Does Not Guarantee Jobs Certificate recognition could widen opportunities, but hiring and Canadian approvals remain separate. . Tech Trends Mahama Backs TraffiTech, Calls for Speed-Camera Warning Signs President defends road-safety cameras as drivers question fines, signage and road conditions. . Transport and Logistics Ghana Transport Shutdown Claim: What Is Confirmed? Operators threatened to park vehicles over TraffiTech-GH; a nationwide stoppage is unconfirmed. . Community Safety TraffiTech-GH Motorist Guide: Tickets, Payments and Appeals How to check a traffic notice, review the evidence and respond within the stated deadline. . Tags Ghana News Ghana News Ghana Ghana

As Rwanda gears up for President Paul Kagame's fourth consecutive term, a concerning trend has emerged in the digital landscape. Actors aligned with the ruling Rwandan Patriotic Front (RPF) have taken to social media platforms to harass and intimidate critics, leveraging advanced AI technologies to bolster their efforts. This report delves into the scope and techniques of a large-scale, coordinated influence campaign orchestrated by RPF-aligned actors . Key Findings Scale and Scope : The campaign involved at least 464 accounts, issuing over 650,000 messages since January 2024. The use of AI, including large-language models and AI-generated imagery, has accelerated over time. Centralized Messaging : Despite decentralized account operations, the messaging remained centralized, focusing on five main themes: the Democratic Republic of the Congo (52%), Kagame/RPF (20%), critics of Kagame/RPF (16%), government successes (9%), and sports/tourism/events (8%). Targeted Hashtags : These accounts strategically used hashtags to promote or demote narratives, often flooding conversations to suppress opposing viewpoints. Behind this digital facade lies a well-oiled machine of repression, veiled by Rwanda's international and corporate partnerships. Despite persistent authoritarian tactics, Rwanda has managed to maintain a favorable global image through economic accomplishments, peacekeeping efforts, and international outreach, including agreements to host deported asylum seekers from the UK. Coordinated Influence Operations Recent investigations reveal a network of over 460 accounts on X/Twitter, most claiming to be based in Rwanda. These accounts, active since early 2024, push narratives favorable to Kagame and the RPF while targeting perceived enemies of the state. The campaign's coordinated nature is evident in its efforts to influence discourse about the Kagame regime's performance and discredit prominent critics. Thematic Analysis of Hashtags The campaign's primary targets are evident from the analysis of the 200 most-used hashtags by these accounts. These hashtags fall into five categories: Continue Reading Full Article By Author Name Author Name Home Comment Jun 22, 2024 May 15, 2026 3 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: As Rwanda gears up for President Paul Kagame's fourth consecutive term, a concerning trend has emerged in the digital landscape. Actors aligned with the ruling Rwandan Patriotic Front (RPF) have taken to social media platforms to harass and intimidate critics, leveraging advanced AI technologies to bolster their efforts. This report delves into the scope and techniques of a large-scale, coordinated influence campaign orchestrated by RPF-aligned actors . Key Findings Scale and Scope : The campaign involved at least 464 accounts, issuing over 650,000 messages since January 2024. The use of AI, including large-language models and AI-generated imagery, has accelerated over time. Centralized Messaging : Despite decentralized account operations, the messaging remained centralized, focusing on five main themes: the Democratic Republic of the Congo (52%), Kagame/RPF (20%), critics of Kagame/RPF (16%), government successes (9%), and sports/tourism/events (8%). Targeted Hashtags : These accounts strategically used hashtags to promote or demote narratives, often flooding conversations to suppress opposing viewpoints. Behind this digital facade lies a well-oiled machine of repression, veiled by Rwanda's international and corporate partnerships. Despite persistent authoritarian tactics, Rwanda has managed to maintain a favorable global image through economic accomplishments, peacekeeping efforts, and international outreach, including agreements to host deported asylum seekers from the UK. ADVERTISEMENT Coordinated Influence Operations Recent investigations reveal a network of over 460 accounts on X/Twitter, most claiming to be based in Rwanda. These accounts, active since early 2024, push narratives favorable to Kagame and the RPF while targeting perceived enemies of the state. The campaign's coordinated nature is evident in its efforts to influence discourse about the Kagame regime's performance and discredit prominent critics. Thematic Analysis of Hashtags The campaign's primary targets are evident from the analysis of the 200 most-used hashtags by these accounts. These hashtags fall into five categories: ADVERTISEMENT Democratic Republic of the Congo : Focused on the ongoing conflict, attacking the country's president, and calling for disarmament. Kagame – RPF : Supportive hashtags for Paul Kagame and the RPF. Deflection of Criticism : Addressing critics of the regime, including journalists, reports, and organizations like the UN, using flooding and direct attacks. Sports – Tourism – Events : Promoting Rwanda's associations with sports teams and tourism offerings, exemplifying the state's "sportswashing" strategy. Government Successes : Highlighting domestic achievements to bolster the regime's image. By integrating AI and generative artificial intelligence into their digital strategies, pro-Kagame actors have created a sophisticated propaganda machine. This coordinated effort not only promotes the regime but also systematically silences dissent and manipulates public perception. As the international community continues to engage with Rwanda, it is crucial to recognize and address these digital tactics of repression. In exposing these patterns, we shed light on the high levels of coordination and the novel tools employed by pro-government social media accounts. It is imperative to remain vigilant against such digital manipulation, ensuring a free and fair discourse in the digital age. Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today ADVERTISEMENT ADVERTISEMENT Related Articles Tags

Stade des Martyrs in Kinshasa is more than a stadium. Home of the Leopards, it symbolizes Congo’s history, culture, and World Cup dreams for the future. Kinshasa’s Stade des Martyrs is more than just a football ground; it is a living monument to the Democratic Republic of Congo’s turbulent history, cultural dynamism, and sporting ambition. Built with Chinese financing and inaugurated in 1994, the arena holds around 80,000 people, making it one of the largest stadiums in Africa. It stands in the Lingwala district on the site where four Congolese ministers were publicly executed in 1966 under Mobutu Sese Seko’s regime. Those men – J érôme Anany, Emmanuel Bamba, Évariste Kimba, and Alexandre Mahamba – were labelled “Pentecost martyrs”, and in 1997, President Laurent‑Désiré Kabila renamed the arena “Stade des Martyrs de la Pentecôte” to honour their memory. This new name transformed a site of tragedy into a symbol of national resilience. Birth of a national temple The stadium originally carried the name Kamanyola after a 1964 military victory claimed by Mobutu. Construction began on 14 October 1988, intentionally timed to coincide with Mobutu’s birthday, and was completed six years later. China provided financing and expertise, with the project costing an estimated US$38 million. For years, the structure represented the power of a dictatorship; after the fall of Mobutu in 1997, its new name acknowledged the blood spilled there and repositioned the stadium as a memorial to courage. Today, Stade des Martyrs is a colossal horseshoe with towering stands and open corners. Locals affectionately call it “the heart of Kinshasa” because the city’s sights, sounds, and passions converge within its walls. Crowds regularly exceed the official capacity, with up to 100,000 spectators squeezing in for big derbies or concerts. The arena has hosted papal masses, presidential inaugurations, and major cultural events – Pope Francis celebrated mass here in February 2023, while Congolese rumba icons Fally Ipupa and Papa Wemba have filled the terraces for music celebrations. The same open gates that welcome worshippers and music fans have sadly witnessed deadly stampedes when inadequate crowd control met overwhelming enthusiasm. These tragedies underscore both the stadium’s popularity and the urgent need for modernization. A fortress for the Leopards For football supporters, Stade des Martyrs is synonymous with the Leopards, DR Congo’s national team. The country’s footballing zenith came in the 1960s and 1970s when the team, known then as Congo‑Kinshasa or Zaire, lifted the African Cup of Nations twice and became the first Sub‑Saharan nation to play at the World Cup. In 1968, the Leopards defeated Ghana 1‑0 in Addis Ababa thanks to a goal from Pierre Kalala. Six years later, they met Zambia in the 1974 AFCON final. The first match ended 2‑2, but in the replay, Zaire scored twice without reply to win their second continental crown . The hero of that tournament was striker Pierre Ndaye Mulamba, nicknamed Mutumbula, who set a record that still stands by netting nine goals and was named player of the tournament These triumphs paved the way to the 1974 FIFA World Cup, where Zaire became the first team from central Africa on football’s biggest stage. That pioneering spirit still echoes around the terraces today. Veteran striker Shabani Nonda , who later starred for Monaco and Roma, scored 20 goals in 36 international matches for the DR Congo. Lomana Trésor LuaLua, born in Kinshasa but raised in England, won 31 caps and scored seven goals, representing the Leopards at four Africa Cup of Nations tournaments. Their achievements kept Congolese football visible during leaner years and inspired a new generation. Continue Reading Full Article FIFA WORLD CUP QUALIFIER Stade des Martyrs: Congo’s Fortress of Football and National Pride By Serge Kabongo Sports & Entertainment Serge Kabongo Home Comment Sep 9, 2025 May 15, 2026 8 min read Copy link Facebook X (Twitter) WhatsApp Published Updated: Kinshasa’s Stade des Martyrs is more than just a football ground; it is a living monument to the Democratic Republic of Congo’s turbulent history, cultural dynamism, and sporting ambition. Built with Chinese financing and inaugurated in 1994, the arena holds around 80,000 people, making it one of the largest stadiums in Africa. It stands in the Lingwala district on the site where four Congolese ministers were publicly executed in 1966 under Mobutu Sese Seko’s regime. Those men – J érôme Anany, Emmanuel Bamba, Évariste Kimba, and Alexandre Mahamba – were labelled “Pentecost martyrs”, and in 1997, President Laurent‑Désiré Kabila renamed the arena “Stade des Martyrs de la Pentecôte” to honour their memory. This new name transformed a site of tragedy into a symbol of national resilience. Birth of a national temple The stadium originally carried the name Kamanyola after a 1964 military victory claimed by Mobutu. Construction began on 14 October 1988, intentionally timed to coincide with Mobutu’s birthday, and was completed six years later. China provided financing and expertise, with the project costing an estimated US$38 million. For years, the structure represented the power of a dictatorship; after the fall of Mobutu in 1997, its new name acknowledged the blood spilled there and repositioned the stadium as a memorial to courage. Today, Stade des Martyrs is a colossal horseshoe with towering stands and open corners. Locals affectionately call it “the heart of Kinshasa” because the city’s sights, sounds, and passions converge within its walls. Crowds regularly exceed the official capacity, with up to 100,000 spectators squeezing in for big derbies or concerts. The arena has hosted papal masses, presidential inaugurations, and major cultural events – Pope Francis celebrated mass here in February 2023, while Congolese rumba icons Fally Ipupa and Papa Wemba have filled the terraces for music celebrations. The same open gates that welcome worshippers and music fans have sadly witnessed deadly stampedes when inadequate crowd control met overwhelming enthusiasm. These tragedies underscore both the stadium’s popularity and the urgent need for modernization. ADVERTISEMENT A fortress for the Leopards For football supporters, Stade des Martyrs is synonymous with the Leopards, DR Congo’s national team. The country’s footballing zenith came in the 1960s and 1970s when the team, known then as Congo‑Kinshasa or Zaire, lifted the African Cup of Nations twice and became the first Sub‑Saharan nation to play at the World Cup. In 1968, the Leopards defeated Ghana 1‑0 in Addis Ababa thanks to a goal from Pierre Kalala. Six years later, they met Zambia in the 1974 AFCON final. The first match ended 2‑2, but in the replay, Zaire scored twice without reply to win their second continental crown . The hero of that tournament was striker Pierre Ndaye Mulamba, nicknamed Mutumbula, who set a record that still stands by netting nine goals and was named player of the tournament These triumphs paved the way to the 1974 FIFA World Cup, where Zaire became the first team from central Africa on football’s biggest stage. That pioneering spirit still echoes around the terraces today. Veteran striker Shabani Nonda , who later starred for Monaco and Roma, scored 20 goals in 36 international matches for the DR Congo. Lomana Trésor LuaLua, born in Kinshasa but raised in England, won 31 caps and scored seven goals, representing the Leopards at four Africa Cup of Nations tournaments. Their achievements kept Congolese football visible during leaner years and inspired a new generation. Current heroes and World Cup dreams Under coach Sébastien Desabre, DR Congo has rekindled hopes of returning to the global stage. Captain Chancel Mbemba embodies commitment, declaring in a 2025 interview: “When it’s for the nation, I do my job”. He leads a squad mixing experience and youthful energy. Striker Cédric Bakambu proved his quality during the 2026 World Cup qualifiers, scoring two early goals in a 4‑1 win over South Sudan and then assisting Yoane Wissa for the fourth. Sports Mole highlighted that Bakambu , Wissa, and Nathanael Mbuku all scored in that match, forming an attacking trio that will challenge Senegal in the decisive Group B clash Mbemba and full‑back Aaron Wan‑Bissaka anchor the defence, while Arthur Masuaku brings experience on the left, although he missed the September 2025 fixture through injury. Playmaker Gaël Kakuta emphasizes that success means more than personal accolades. After earning man‑of‑the‑match honours at the 2023 AFCON, he said that qualification “means a lot to the people back home” and praised the team’s hard work. ADVERTISEMENT With other talented Congolese such as Théo Bongonda and Arthur Masuaku joining Bakambu and Wissa, the Leopards have built a squad capable of challenging Africa’s best. Their home record at Stade des Martyrs has been formidable; ahead of the September 2025 duel with Senegal, they had won three qualifiers in Kinshasa, scoring four goals and conceding none. In qualifying, the stadium remains the team’s fortress, with thousands singing “Viva Les Léopards” under Kinshasa’s warm night sky. A stage for politics, culture, and faith While football defines much of its identity, Stade des Martyrs functions as a national agora. In August 2024, President Félix Tshisekedi took his oath of office for a second term here, promising before a packed crowd to unite the nation and protect its sovereignty. Earlier, in 2019, the stadium hosted the funeral of opposition leader Étienne Tshisekedi, and during the 2023 Francophone Games, the stadium’s track welcomed athletes from across the French‑speaking world. Political rallies, Independence Day parades, and Pentecost ceremonies regularly fill the terraces. Musicians view the arena as the ultimate stage: performing there signals arrival among Congo’s cultural royalty Trending Now US Democrats' Rwanda Record: Peaceful Change and Congo Sovereignty . Policy and Reforms Tanzania Community Grants: Who Benefits and What Comes Next . Government Announcements Ghana–Canada Seafarer Deal Does Not Guarantee Jobs . Job & Opportunity South Africa Elections 2026: DA Leads Gauteng as Count Advances . Elections Monitoring Popular Today Scholarships Russia Confirms 100 Scholarships for Congolese Students . Patriotism Tshisekedi Urges Congolese in Russia to Be DRC Ambassadors . Healthcare System Kasa-Vubu Youth Centre Inaugurated in Kinshasa . Business & Investment DRC Urges Diaspora to Invest Skills and Capital at Home . Biography Miguel Masaisai Biography: The Cyclist Who Rode for Peace . ADVERTISEMENT Yet the weight of these events has strained the infrastructure. After decades of heavy use and limited maintenance, the stadium fell short of Confederation of African Football (CAF) standards. In 2021, the Council of Ministers approved a plan to renovate seven national stadiums, including Stade des Martyrs, allocating USD 3‑8 million per venue and focusing on modern lighting, turf, and safety systems Sports minister Serge Nkonde stressed that upgrading the stadiums was essential to provide modern facilities for youth and international competitions. In 2023, President Tshisekedi ordered the stadium closed to the public so that rehabilitation could proceed. New floodlights, seating, and a synthetic pitch were installed; despite initial disqualification, the stadium regained CAF approval by mid‑2024 These improvements reflect the government's vision to invest in youth, sport, and sovereignty, preparing to host major tournaments such as the Africa Cup of Nations (AFCON) and supporting bids for future World Cup qualifiers in Africa. Looking ahead: A fortress for Africa The Stade des Martyrs stands at the intersection of Congo’s past and future. It commemorates those who died resisting tyranny, yet it also resonates with the laughter of children at youth football tournaments and the rhythms of rumba and soukous. As the FIFA World Cup 2026 qualifiers continue, Kinshasa’s giant bowl again pulses with hope. A home victory over Senegal would bring DR Congo one step closer to returning to the world stage. Even more important, it would demonstrate that Congolese football – and Congolese unity – is alive and rising. From the outside, the concrete structure may appear weathered, but inside it radiates an energy that only Congolese crowds can create. Generations have grown up dreaming of playing there. When Captain Mbemba declares he will “do my job for the nation”, he speaks for millions who see the stadium as their second home. Young girls and boys from Kinshasa to Kolwezi watch Bakambu, Wissa, and Kakuta, believing that they too can inspire chants of “Vive le Congo!” from the stands. With continued investment and faith, Stade des Martyrs will remain a monument to Congolese pride, unity, and ambition – a place where the nation’s past sacrifices and future dreams converge. ADVERTISEMENT Related Articles Scholarships Russia Confirms 100 Scholarships for Congolese Students Russia confirms 100 government scholarship places for Congolese students, reaffirming education . Patriotism Tshisekedi Urges Congolese in Russia to Be DRC Ambassadors Meeting the Congolese diaspora in Moscow, Tshisekedi calls for patriotism, academic excellence . Healthcare System Kasa-Vubu Youth Centre Inaugurated in Kinshasa A new youth space combines health information and participation, with access details still unclear. . Business & Investment DRC Urges Diaspora to Invest Skills and Capital at Home DiaspoBoost 2026 urges Congolese abroad to invest capital, share expertise and support local businesses . Tags DRC Youths DRC Youths DR.Congo DR.Congo Stade des Martyrs Stade des Martyrs