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ENTERTAINMENT

Burna Boy’s Grandfather Says Nigeria Still Leads Afrobeat

Benson Idonije says Nigeria remains the heartbeat of Afrobeat as the genre continues its global rise.

June 9, 2026 at 8:20:17 AM

June 9, 2026 at 8:20:17 AM

🕒 2 min read

Witty Pascal

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Witty Pascal

Entertainment Editor

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Benson Idonije says Nigeria remains the heartbeat of Afrobeat as the genre continues its global rise.

According to The Nation, veteran broadcaster and music executive Benson Idonije believes Nigeria remains the undisputed home of Afrobeat despite the genre’s worldwide expansion.


Speaking during events marking his 90th birthday in Lagos, Idonije reflected on Afrobeat’s journey from a local movement to one of Africa’s biggest cultural exports. The respected music figure, known for managing Afrobeat pioneer Fela Kuti in the early years and as the grandfather of Grammy-winning superstar Burna Boy, said Nigerian artists continue to drive the genre’s global success.


For Idonije, Afrobeat’s roots and influence are inseparable from Nigeria. He argued that while the sound now resonates across continents, the country still produces many of the artists shaping its future and pushing its reach even further.


His comments come at a time when Nigerian stars are dominating international charts, selling out arenas, headlining major music festivals, and collecting prestigious awards around the world. Artists such as Burna Boy, Wizkid, Davido, Tems, and Rema have helped turn Afrobeat into a mainstream global force.


Idonije also praised the new generation of musicians for building on the foundation created by pioneers like Fela Kuti. He said their achievements have introduced African creativity, culture, and storytelling to audiences far beyond the continent.


The veteran music executive sees the growing demand for Nigerian music as proof of Afrobeat’s evolution. What started as a uniquely Nigerian sound has become a major player in global entertainment, influencing pop culture, fashion, and music trends worldwide.


As Afrobeat continues its international rise, Idonije’s message is clear: the genre may belong to the world today, but its heartbeat still lies in Nigeria.

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